3 Posts Today…1.Beyond EDM Post Special (40 Tracks) ~ 2. Today’s Favorite Videos #19 ~ 3. How Vinyl Master Plates Are Made (2 x Videos) – A Little Bit For Everyone… [N.S.F.W. ~ 3 Mega Video Post Special]

Today Up On Christmachine Audio Reference Music Server :

3 Posts Today…1.Beyond EDM Post Special (40 Tracks) ~ 2. Today’s Favorite Videos #19 ~ 3. How Vinyl Master Plates Are Made (2 x Videos) – A Little Bit For Everyone[N.S.F.W. ~ 3 Mega Video Post Special]

 

Reviews for individual albums or sets will be posted HERE (The Main “DAY” Page) but 3755fdaily Videos & Playlists will be posted in the Playlist “Night” Feed Blog. Again you can access it from the “Playlist “Night” Feed” button in the header menu below the “HOME” button. Or you can get there using the links below.

Note: If you look under a specific name in the categories to the right….for example say “John Lennon” and see what is archived under that name, you should always check the band members’ full band name as well…i.e “The Beatles”. The reason is that at first when I made the two websites, I just used band names. In the last 2 months I began to add individual band members names. So If you look under “John Lennon” there may be a lot more Posts about him, obviously under “The Beatles”. This can be done for all individual band members and their bands at both the “Day” and “Night” “Pages”, as there may be different content at each. Search function also works well…but you must search at both the “Day” and “Night” Pages separately. I know it’s a little confusing but if you search around you’ll find everything we have here. 😉

Post #1. Beyond EDM Post Special (46 Tracks)

Christmachine [* EDM ELECTRONIC *] Audio Reference Music Server Playlist #138875a ~ 46 Of My Favorite Dance Tracks Played Last Night In 4 Hour Set…[ Beyond EDM Post Special ] Link Below A Direct Portal To “Night Page” Side of this Site… 

http://playlists.christmachine.com/playlist/christmachine-edm-electronic-audio-reference-music-server-playlist-13-40-of-my-favorite-dance-tracks-played-last-night-in-4-hour-set-beyond-edm-post-special/

 

2765gCRP

 

Post #2. Today’s Favorite Videos #19
Todays Favorite Videos #19 + 2014 Beatles Mono Vinyl Set Unboxing…[Video-Direct Links Via Embeds] ~NSFW~ Link Below A Direct Portal To “Night Page” Side of this Site…

http://playlists.christmachine.com/youtube/todays-favorite-videos-19-2014-beatles-mono-vinyl-set-unboxing-video-direct-links-via-embeds-nsfw/

 

 

76843s

 

Post #3. How Vinyl Master Plates Are Made (2 x Videos) [Video Post Special] Link Below A Direct Portal To “Night Page” Side of this Site…

http://playlists.christmachine.com/youtube/how-vinyl-record-masters-are-made-2-x-videos-video-post-special/

 

 

3486gAlso: DMancuso~ DJ&AudiophileVideo Updated and second video added as well @ link below:

http://www.christmachine.com/uncategorized/if-youre-into-music-the-next-23-minutes-and-30-seconds-could-be-the-most-important-in-your-life-david-mancuso-on-sound-tech-structure-mood-and-acoustics-video/

 

 

Thanks As Always For Your Support.

Enjoy, more interesting articles to come!

Cheers and Bless Bless!

 

CM ☕

 

Please do not reproduce this article either all or in part without the expressed written permission of the author who can be reached via the “Contact” section in the header menu. You may link to the article if you wish, all that we ask is that you give credit to the respective author…”Christmachine” wherever you post a link. Thank you.

 

 

 

Copyright © 2015 Christmachine. All Rights Reserved.

©2014 – 2020 Christmachine

Is It Not A Contradiction To Simultaneously Support Vinyl And Hi-Rez Digital Formats. Here Is Why It Is Essential That We Do!

 

Today Up On Christmachine Audio Reference Music Server :

Is It Not A Contradiction To Simultaneously Support Vinyl And Hi-Rez Digital Formats.

Here Is Why It Is Essential That We Do!

 

I have a lot of other things I have been itching to address, but when I saw someone post this question, “Is it a contradiction to support vinyl and digital formats?”, it Immediately BpUGB3qIEAA70Zo.jpg large.jpgCRPcaught my attention. The reason being that when I first read it, my mind was in a clusterfuck, as I already do support both simultaneously. The thing is, as I began to think about it more, I could understand why someone who may be new to Hi-Res Audio (HRA) may struggle with this reconciliation. It is a common theme that many think the move to Hi-Res Digital Audio, and it seems logical, is meant to free us from need to use vinyl as a source of High Quality Audio. That may be true, but thinking that we are there would be a big mistake.

As we know Hi-res Audio is becoming a widely recognized format, but aside all the controversy and looking at the facts. It is essential that we entertain both formats for several reasons…

1. It is because of Vinyl and High Quality Vinyl Rips (as well as advances in technology), that we now have the growing demand for Hi-Rez music that we have today.

2. In many cases, High Quality Vinyl rips Still, are the nearest representation to the Original Analog Studio Master Tapes, that is, obviously when the Vinyl is sourced from the Original Master Tape. When an All Analog Signal Chain was used in the Transfer to Cut the Original Vinyl Masters and thus is from what the Vinyl is “Properly” Pressed. In the case of Digital Hi-Res it is Optimal for a Direct Analog To Digital Conversion from the Original BnB20largeAnalog Studio Master Tapes to the digital domain. Even with Hi-Rez being offered for purchase at online stores, it is still hit or miss as to the lineage of the new digital recordings.

3. Because of point Number 2, we can use these superior pieces of vinyl, as well as the their High Quality Vinyl Rips, to Compare against Current and Further Digital Hi-Res Releases as well as Re-Issues of Vinyl. This comparison is relevant  whether the Vinyl Re-Issues or Hi-Res Digital is a Straight Flat Transfer from the Original Master Tapes, or they have been Remixed and or Remastered and then subsequently Transferred and then Pressed to Vinyl or Converted to Digital. Then a High Quality Vinyl Rip to Digital by a seasoned ripper may be up for consideration as a Hi-Res “Reference Recording” amongst the community. This means that it must have the Characteristic Sound Signature audio enthusiasts look for in excellent recordings. When a Vinyl Rip has these characteristics and there is a consensus, it can be considered to have the nearest representation of what the artist intended us to hear, as well as nearest available source to what the artists heard in the studio.

4. Just because an artist is an amazing or legendary musician, in most cases, does not automatically make them an excellent producer or mastering engineer. As a matter of fact they usually are not, even if they think they are. I am not going to name names so as not to unnecessarily offend anyone. The reason I can come to this conclusion is because of years of listening with a trained ear to the “Right” Reference Recordings. Obviously you come to your own conclusions about which I spout, but what I do know for sure is that this 900x900skill does not come from a few months or even years of listening, because it is dependent on “What Recordings” you are listening to and knowing “What Sound Signatures” and “Set Ups” hold weight. How can anyone come to a complete decision if they have not experienced it for themselves? These Vinyl Rips are available for anyone to search for and find, however their acquisition is unconventional and time consuming, but the rewards are immense.  Having the ability to “Cross Reference” from a number of Sources in your listening tests is Essential to coming to an “Educated Conclusion”.

5. The recording industry does not make this easy for us, as a matter of fact they would rather we remain confused so as to continue to buy sub par recordings. I am confident and hopeful with the coming Pono releases from the Pono Music Store, overseen by legendary producer Bruce Botnik, will streamline and perfect the process of lineage and quality of transfers to the Hi-Res (HRA) Digital Domain. Those of us who know the difference remain vigilant.

6. I implore CD and Digital Mastering Engineers to check their work against High Quality Vinyl Rips from Seasoned Vinyl Rippers, that have perfected the Art of Vinyl Transfers over years of tweaking set ups and searching every corner of the globe for the Finest Vinyl Pressings Available. In the private communities their rips have evolved exponentially before our eyes and ears, and over time have held up against and withstood intense criticism and discussion from the most trained and particular listeners in the world. In fact 6547Aalthough I consider myself to have a very good set of “trained ears”, they are eclipsed by the ears of even more seasoned veterans from nations again around the world. These vinyl rippers have all the experience and techniques to rival the best known and revered audio and mastering engineers.

7. To underscore the strength of High Quality Vinyl Rips…I am not going to name names but I do have knowledge that there have been recordings (especially re-issues) from famous artists that have been released to the public with the Understanding that they were Sourced From High Quality Vinyl Rips. Further murking the waters, there have been Artists (living or dead) who had No Knowledge that this was done by Their Mastering Engineers or Labels because the Particular Vinyl Rip was Better than the Source that had been given them by the Artist or Label in the studio.

There are also cases where the Mastering Engineer was given Vinyl Ripped Sourced Tape or Digital Recordings, and Low Level Audio Mastering Engineers as well as their Labels had no knowledge that they were using said Vinyl Ripped Sourced Masters for Re-Issues and either Willfully or Unknowingly Distorted Lineage on Packaging For Sale. There are many cases where the Packaging and Print on a vinyl pressing or piece of vinyl either confuses the purchaser into thinking that they were buying a pressing sourced from the “Original Analog Master Tapes” when they in fact had not.  The details on this 6745underhandedness is again murky and short on details but it is known to have occurred. Please do not ask because I cannot comment further on this…I can promise you that someday someone will write the book.

7. Again to underscore the strength of High Quality Vinyl Rips…There have been Specific Releases by Artists who have Requested to use a Particular Vinyl Rippers High-Quality vinyl transfers for their vinyl pressings and CD releases without the Vinyl Purchasing Public having knowledge. This however, in comparison to point number 6 is a good thing. It seems counter intuitive that certain releases would be sourced from a High Quality Vinyl Rips, but the Consumer are inadvertently getting Quality Sound Because of a Vinyl Ripper. Both points number 6 & 7 have had this result happen quietly for a number of reasons, usually because of Lost or Damaged Original Master Tapes to Unlabeled Masters Without Known Lineage, and a High Quality Vinyl Rip just Sounds Better than what they have available. This practice is not widespread but it is known to have occurred. Again someday someone will write the book. Remember the first rule of fightclub is…and the second rule of fightclub is….

Now with all those points made I hope to address point number 1 sufficiently. To properly describe the movement it seems necessary that I make a long story short in reverse. Again, it is because of Vinyl and High Quality Vinyl Rips that we now have the emergence of demand for “Quality Controlled” Hi-Res Audio (HRA). In some ways it was inadvertent by default, and in others a direct result of deliberate actions from the Vinyl Rippers in the Audio Enthusiast Community. This has been reported and discussed at length in previous articles and forums around the web. All the information is out there for your research…I 2709swas able to find it all through search engines, and it is therefore available for you with some dedication. We must make a distinction that there is Good Quality Hi-Res and Poor Quality Hi-Res.

Over the last decade as the music industry was in turmoil, and “The Loudness Wars” took over the stage front and center, savvy music enthusiasts found that they could extract the music from vinyl and render a superior sound signature than the music industry was releasing on CD, .mp3 digital, or on a significant portion of vinyl re-issues. As a matter of fact it was often highly superior, although this phenomenon was not universal, as a piece of vinyl and it’s resulting rip, logically is only as good as it’s original source. The idea that “You can’t polish a turd”, comes into play in this realm. In those cases where the vinyl is as close as possible to the original analog source studio tapes, after a decade of tweaking their setups, rigorous testing of rips that hold up in large listening communities, and finding the best quality vinyl pressings in the world has become in some respects an “Objective Pseudo-Science” in the last few years. Try and wrap your head around that, don’t think too hard as your head might explode. When you find yourself amongst that precipice, it is a truly astonishing event. I must reiterate that all these events are a result of a desire for quality that was not available, so it goes that Quality Hi-Res vinyl rips were born.

Fast forward to recent months…

So the industry was unable to control this underground viral movement, with the collapse 73423dof the music industry and as nature abhors a vacuum, there was not much choice left for them to come on board. That is not to say that the record industry came aboard easily. It has also been said that there are two factions in the music industry, one which fights to do quality control of released recordings Vs. the business or money side of the industry. In the end it’s sadly all about money over art, and as a result of the recent growing demand for Portable Hi-Res Audio Players (DAP’s) already on the market, as well as the opening of Hi-Res Audio online vendors such as HD Tracks and others, made it critical that the music industry take notice.

The final piece of the puzzle, was the insistence of the Legendary Musician Neil Young and his new Pono Player (To be released in October), the Coming Pono Music Store, as well as it’s streamlined Ecosystem…which finally shifted the tide in our favor. It took all these factors to finally bring the music industry to the table. It was only a matter of time as well, after convincing  the recording industry to see the advantage of a new revenue stream, before they folded.

There has been a lot of Hi-Res Audio that has been officially released over the last few years and what we music junkies have found is that there is still many cases where the best known sourced vinyl still beats out the official Hi-Res Audio releases. So as a result of the desire for the highest quality audio, which can only be sourced from vinyl, it still 8453ndremains an important tool in our arsenal.

So all of the aforementioned still, for the most part, holds true. It is because we can use High Quality Vinyl Rips as a source of “reference recordings”, that keeps the bar yet raised very high. There is still a lot of change that needs to come from the artists and music industry before we can say that we have an adequate amount of “Reference Recordings” in Hi-Res Digital Format. This is the goal which Pono Music and it’s “Quality Control Ecosystem” will attempt to meet and I believe they can do it. Some have said that a lot of the music that the Pono Music Store will have access to will in many cases consist of what the Artists and Music Industry has already made available for Hi-Res purchase. A lot will depend on the many famous artists stumping for Pono and the influence they have with their labels. Again I prefer to remain optimistic.

To finish we must ask ourselves have we answered the original question, “Is It A Contradiction To Simultaneously Support Vinyl And Hi-Rez Digital Formats?”. In answering, amongst the current surge in vinyl collections and nostalgia for a physical item as well as it’s strength as a indispensable format for comparison, we must remember one thing, that while we for a time gave up on vinyl, just know that vinyl never gave up on us. Again my process my review.

 

Cheers and Bless Bless!

 

CM ☕

 

Please do not reproduce this article either all or in part without the expressed written permission of the author who can be reached via the “Contact” section in the header menu. You may link to the article if you wish, all that we ask is that you give credit to the respective author…”Christmachine” wherever you post a link. Thank you.

 

 

 

Copyright © 2015 Christmachine. All Rights Reserved.

©2014 – 2020 Christmachine

 

The Best Of The “Led Zeppelin” Catalog Pressings…[Post Special] [Second Pass Edit 07/02/14]

Today Up On Christmachine Audio Reference Music Server :

 

The Best Of The “Led Zeppelin” Catalog Pressings…[Post Special]

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You will not find underground compilation lists like this anywhere else on the worldwide web. Christmachine Audio Reference Music Server Exclusive!

It’s what I call Guerrilla Listening Sessions…I’m on Fire here!!!

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Photo Courtesy Of Doc Keyaza!

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The Best Of The “Led Zeppelin” Catalog Pressings…[Post Special] Part 1 of 2

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  • Click On Photos To Enlarge:
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Photo Courtesy Of Doc Keyaza!

This first section was written early on, I have returned to edit to make it seemless with part two, no latency here. I do not yet know how this mega post review is going to be laid out yet. I know that sounds strange, but I know what releases make the grade, just not sure how I will lay it out here. So this should be interesting. I have been listening to only Led Zeppelin for two weeks now and I am ready to lay it all on the line. Well almost, I had to listen to other stuff like The Black Crowes first three albums in Hi-res to rest my mind. OMG The Black Crowes in Hi-rez (listening now) & The Black Sabbath Dio Albums as well (I’m In good hands fo’ sho’!!!) Obviously that is not to say that this list did not take many years of listening to compile. I had my favorites, but I had to take into account the Deluxe Reissues released at the beginning of this month. This includes the first three records of the catalog reissues, in all three formats available, including CD’s, 24Bit/96kHz Hi-Res, and vinyl.

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Photo Courtesy Of Doc Keyaza!

At first I had a very hard time being as subjective as possible because although there are the releases that I clearly prefer. There were also many releases that had decent quality, although I still did not prefer them (or find their sound quality better) over my original favorites… some were close but clearly not superior. Therefore different from the few reviews I have done so far, I decided to add some new factors into my decisions specific for this review based on availability, price, and reputation. Of course sound quality will always be the number one determining factor, but there are releases (especially the Original and early Vinyl) that come very close to the best although they are still inferior IMHO.The thing is many people do not know the difference, so I build this guide with you in mind so you can go directly to the pressings recommended and know you are getting decent sound quality even if you have to settle with sources farther down the list. Still although there is lots of good, the bad is still quite bad…I expose the comparable sources with easier availability at a better price and acceptable sound quality to boot. The Law of diminishing returns is in full effect.

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Photo Courtesy Of Doc Keyaza!

What it came down to here fundamentally was what sound signature each listener is used to. So I am happy to announce there are a lot of choices for the general listening public, it depends a lot on what you know as “The Led Zeppelin Sound” as well as your budget and dedication to the craft of mastering and pressing. For example some reviews I am able to wipe out a whole swath of choices because say there were no good quality CD releases. That is definitely not the case here, with some searching It is possible to find an excellent quality CD in the used CD bins at any record store (or online) on the cheap, as long as you know what the specific years, mastering, and pressings from which the CD or vinyl for sale was cut.

 

 

Here is the Led Zeppelin Discography Referred to throughout this review:

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Photo Courtesy Of Doc Keyaza!

Led Zeppelin (1969)
Led Zeppelin II (1969)
Led Zeppelin III (1970)
Led Zeppelin IV (1971)
Houses of the Holy (1973)
Physical Graffiti (1975)
Presence (1976)
In Through the Out Door (1979)
Coda (1982)

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First We’ll Start with the CD’s:

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Photo Courtesy Of Doc Keyaza!

For the CD’s there were two early masterings… The Original 1980’s Atlantic Barry Diament/ Joe Sidore’s and the 1990’s Marino/Page Remasters. It does not matter which countries for the Diament/Sidore’s (US, German, Canadian, Japanese, etc.) the specific year of release is more important as it varies sometimes by one or more years depending on country. Although Barry Diament has stated publicly that he can hear a difference in CD sound quality from one pressing plant to the next. You probably will not be able to tell the difference unless you are a super fan and have multiple copies of which to compare, if at all.

Recommended CD’s Original 1980’s Atlantic Diament/Sidore Example:

http://www.discogs.com/Led-Zeppelin-Led-Zeppelin/release/895323

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Photo Courtesy Of Doc Keyaza!

So my standard recommendations would be to look for any of the 1980’s Original Atlantic Diament/Sidore CD’s, they have the punch and dynamics to be highly recommended here. The only caveat would be Led Zeppelin IV (the only title to be mastered by Joe Sidore only), It is well known that he had a sub par copy of the Original Analogue Masters. You would think that with the importance of LZ IV they would get it right, but he only had access to inferior tape. Then again on the other side of the coin they have never made available the Original Analog Master Tapes of Led Zeppelin IV, or any other release ever from Zep, other than for the Original Vinyl from the Complete Catalog, but that’s another story. This is not a killer for me as I still prefer the 1980’s Original Atlantic Led Zeppelin IV mastered by Sidore. If you’re feeling dangerous then try 1990’s Zeppelin IV George Marino Remaster (cheap used) and compare it against the 1980’s Original. Also the Marino Zep IV’s suffer from early fades, unforgivable by some. Get both on the cheap and compare yourself, you’ll see what I mean.

Overall none of the 1990’s Marino Remasters are recommended here as they Distort when turned up loud. They are a victim of “The Loudness Wars” and they do not have 20974_1074039588034_3176351_nthe same tight punch that the 1980’s Diament/Sidore’s have. One other problem to note on some of the early 1980’s Diament/Sidore’s, from a few pressing plants have the channels reversed, so be aware if you are a long time listener. This is not restricted to CD’s, it affects vinyl as well. Again if you don’t know the difference, just listen and enjoy!

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Photo Courtesy Of Doc Keyaza!

Here we can jump on quickly to the June 2014 digital remasters of the first three records just released this month. All of the formats (24Bit/96kHz Hi-res, CD & Vinyl: All Digitally Sourced) were sourced from  24Bit/192kHz digital transfers of the original analog tapes. They were then mastered, compressed, and dithered down to their respective formats. IMO I still like the 1980’s Diament/Sidore’s over these 2014 remaster CD’s, however they are an acceptable CD pressing (espcially over the 1990 Marino Remasters) and if your not hung up on the sound of the Original 1980’s CD’s you will still get good sound and that is great news for all. Dynamically speaking they are not as good as the 1980’s Originals, you will find an prime example here where a lower DR is not the be all end all for the sound quality. Remember kids it’s all about the mastering!

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Photo Courtesy Of Doc Keyaza!

Coming from the same source as the CD’s, with the added improvement of higher bit depth and sample rate, the Hi-Res 24Bit/96kHz although different in many ways and (IMO) a step down in sound quality from the Original 1980’s CD’s. The 2014 Deluxe Reissue vinyl is included in this, I could not hear much difference between the 2014 Hi-Res and the 2014 vinyl, except for the added warmth typical of vinyl. The 2014 remasters have superior detail over the 1980’s Diament /Sidore’s but I still prefer raw sound of the original 1980’s CD’s. One complaint that I can render from all these 2014 remasters is that they have a more clinical sound signature. So if your a vinyl hound and are not on an endless search for a clean copy of the original vinyls then the 2014 Remastered Vinyl and Hi-Res are a worthy and easily accessible format. With that said I still believe that the 1980’s Diament/Sidore Mastered CD’s are better than all formats of the 2014 Deluxe Reissues. When I mentioned a step down that is subjective opinion on my part, as I said earlier what you make of these 2014 digital remasters will depend on what the “Led Zeppelin Sound” is to you. Many will hear the clarity and detail of the remasters and say they are better. Food for thought.

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Photo Courtesy Of Doc Keyaza!

The last angle has to do with price and availability. The Original 1980’s Japanese Diament/Sidore mastered CD’s have excellent sound as well, the problem is their availability and price. Add in the Original Red OBI and the price goes up significantly. So unless you are a collector or find one of these CD’s on the cheap I would just go with the other 1980’s Diament/ Sidore’s recommended. One last thought stay away from the 2008 SHM Japanese Releases either in the original box set or separately. Here is an incidence where Japanese does not mean better sound. They are said to be sourced from the 1990’s remasters, and when I heard them, all I got was louder and more compressed in a bad way. They may be no different from the 1990’s Marino CD’s but just a tad louder. You know how I feel about “Louder”. Next!

Recommended CD’s Original 1980’s Japanese Atlantic Diament/Sidore Example:

http://www.discogs.com/Led-Zeppelin-Led-Zeppelin/release/3864824

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Photo Courtesy Of Doc Keyaza!

 

The Best Of The “Led Zeppelin” Catalog Pressings…[Post Special] Part 2 of 2

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Photo Courtesy Of Doc Keyaza!

CD Vs Vinyl Vs Hi-Res Digital Vs. Hi-Res Vinyl Rips…

Read this well articulated piece on Led Zeppelin Vinyl, before reading on…my previous concerns are touched on here as to value and the Law of Diminishing Returns:

Taken From The “Every Record Tells A Story” Blog…Link Below Excerpt,

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Photo Courtesy Of Doc Keyaza!

“in contrast to the general rule of record collecting that if you buy an early pressing from the country of origin of the artist, you are most likely to be nearer the source tapes, and therefore the sound ought to be better. It seems Led Zep are an exception: they had such great success in the USA that this generally fairly reliable guideline doesn’t hold true – after the first album at least. I didn’t know it at the time, but my US pressing was pretty early and has excellent sound – probably better than an equivalent UK version.”

http://everyrecordtellsastory.com/2014/03/03/led-zeppelin-a-vinyl-buyers-guide/

Now that I’ve got that out of the way, I can get back to form with the Original Vinyl as well as the Classic 45 Reissues and others. How I will do this is start by listing each record of the full Led Zeppelin Catalog. With each record I will list in order IMHO what the best pressings / releases are, and I will incorporate the Original 1980’s Atlantic Barry Diament/ Joe Sidore releases as well as the 2014 Deluxe Remasters.

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Photo Courtesy Of Doc Keyaza!

You can feel safe knowing I’m in the ballpark after listening to no less than 138 Led Zeppelin Vinyl Sources over the last two weeks. I already had my favorites but had to make a few swaps here and there after some aggressive A/Bing as well as some recent acquisitions. ADHD helps in this regard.:) Also I heard someone say in another forum vinyl rips are not the same as listening to vinyl….bullshit, if your sources drivelines and methodology are the best anywhere, whatever is on that vinyl will come through so transparent and quiet with very limited post processing. Therefore I can say with complete confidence that this technology does not just reveal limitations of the source tapes…it enhances them!

 

 

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Photo Courtesy Of Doc Keyaza!

 

Led Zeppelin I (1969) Best Releases / Pressings:

L1

 

 

 

 

 

 

 

 

1. Led Zeppelin – I (1969) (Original US George Piros/Monarch Pressing) Ans2TheMstr Vinyl Rip > transferred to 24Bit/48kHz ALAC .MP4 [Hi-Rez]

2. Led Zeppelin – I (1969) (German Strawberry Pressing) Mach5 Vinyl Rip  > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

3. Led Zeppelin – I (1969/2006) (Classic Records 45 RPM Reissue) FnlMstr (NC) Vinyl Rip > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

4. Led Zeppelin – I (1969) (Original UK Plum LP) Early AT33PTG Vinyl Rip   > Transferred to 16Bit/44.1kHz Lossless Flac

5. Led Zeppelin – I (1969/1987) (1987 US Atlantic Barry Diament/Joe Sidore Mastered CD) 16Bit/44.1kHz Lossless Flac

6. Led Zeppelin – I (1969/1987) (1987 Barry Diament/Joe Sidore Japan Atlantic Mastered CD) 16Bit/44.1kHz Lossless Flac

7. Led Zeppelin – I (1969/2014) (2014 Deluxe Digital Remaster) Vinyl Rip  > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

8. Led Zeppelin – I (1969/2014) (2014 Deluxe Digital Remaster) HD Tracks 24Bit/96kHz Lossless Flac [HI-RES]

9. Led Zeppelin – I (1969/2014) (2014 Deluxe Digital Remaster CD) 16Bit/44.1kHz Lossless Flac

This is the list for Zep 1 but as I said before, don’t fret if you can’t get a hold of any original Zep Vinyl…you will go broke. Just reach and search for the pressings/releases farther down the list.

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Photo Courtesy Of Doc Keyaza!

 

Led Zeppelin II (1969) Best Releases / Pressings:

L2

 

 

 

 

 

 

 

1. Led Zeppelin – II (1969) (Original US Robert Ludwig Pressing) Ans2TheMstr Vinyl Rip > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

2. Led Zeppelin – II (1969/2006) (Classic Records 200 Gram Reissue) LegMstr Vinyl Rip > Transferred to 24Bit/48kHz Lossless Flac [HI-RES]

3. Led Zeppelin – II (1969/1987) (1987 US Atlantic Barry Diament/Joe Sidore Mastered CD) 16Bit/44.1kHz Lossless Flac

4. Led Zeppelin – II (1969/1987) (1987 Barry Diament/Joe Sidore Japan Atlantic Mastered CD) 16Bit/44.1kHz Lossless Flac

5. Led Zeppelin – II (1969/2014) (2014 Deluxe Digital Remaster) Vinyl Rip  > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

6. Led Zeppelin – II (1969/2014) (2014 Deluxe Digital Remaster) HD Tracks 24Bit/96kHz Lossless Flac [HI-RES]

7. Led Zeppelin – II (1969/2014) (2014 Deluxe Digital Remaster CD) 16Bit/44.1kHz Lossless Flac

 

The Original US Robert Ludwig Mastered Vinyl Blows all others away. Clarity, Control, and punch…unsurpassed. From which all other Led Zeppelin II’s are judged!

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Photo Courtesy Of Doc Keyaza!

Led Zeppelin III (1970) Best Releases / Pressings:

L3

 

 

 

 

 

 

 

1. Led zeppelin – III (1970) (Original Canadian Pressing) FnlMstr (NC) Vinyl Rip > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

2. Led Zeppelin – III (1970/2006) (Classic Records 45 RPM Reissue) ZxAryMstr Vinyl Rip > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

3. Led Zeppelin – III (1970) (Original UK Atlantic) Vinyl Rip > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

4. Led Zeppelin – III (1969/1987) (1987 US Atlantic Barry Diament/Joe Sidore Mastered CD) 16Bit/44.1kHz Lossless Flac

5. Led Zeppelin – III (1969/1987) (1987 Barry Diament/Joe Sidore Japan Atlantic Mastered CD) 16Bit/44.1kHz Lossless Flac

6. Led Zeppelin – III (1969/2014) (2014 Deluxe Digital Remaster) Vinyl Rip  > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

7. Led Zeppelin – III (1969/2014) (2014 Deluxe Digital Remaster) HD Tracks 24Bit/96kHz Lossless Flac [HI-RES]

8. Led Zeppelin – III (1969/2014) (2014 Deluxe Digital Remaster CD) 16Bit/44.1kHz Lossless Flac

I could not find a clean Original US Atlantic Vinyl Rip, if I could it probably would rank high on this list from what I’ve heard from others. Conjecture of course.

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Bron-y-aur!

 

 

Led Zeppelin IV (1971) Best Releases / Pressings:

L4

 

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1. Led Zeppelin – IV (1971) (Original US Pressing) FnlMstr (NC) Vinyl Rip > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

2. Led Zeppelin – IV (1971) (Original US Pressing) Mach5 Vinyl Rip  > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

3. Led Zeppelin – IV (1971) (Original US 1841 Broadway LP George Peckham “Porky” PECKO DUCK Matrix) Early AT33PTG Vinyl Rip   > Transferred to 16Bit/44.1kHz Lossless Flac

4. Led Zeppelin – IV (1971) (ZoSo) (Rare UK 1st Stamper) Vinyl Rip > Transferred to 24Bit/192kHz Lossless Flac [HI-RES]

5. Led Zeppelin – IV (1971/2006) (Classic Records Reissue) LegMstr Vinyl Rip > Transferred to 24Bit/48kHz ALAC .MP4 [HI-RES]

6. Led Zeppelin – IV (1971/1985) (1985 US Atlantic Joe Sidore Mastered CD) 16Bit/44.1kHz Lossless Flac

7. Led Zeppelin – IV (1971/1985) (1985 Atlantic Japan Joe Sidore Mastered CD) 16Bit/44.1kHz Lossless Flac

8. Led Zeppelin – IV (1971/1994) (1994 Atlantic US George Marino/Jimmy Page Re-Mastered CD) 16Bit/44.1kHz Lossless Flac

 

As I said earlier that this is the only CD that was Originally Mastered by Joe Sidore only with an inferior copy of the analogue tapes…I still prefer it over the 1994 George Marino Re-Master but others go for this remaster even with the unforgivable early fades, overly compressed, and loud mastering. Uncrankable without distorting and ear fatigue city. Not much choice other than the vinyl and hopefully the coming 2014 Deluxe Reissues. See for yourself.

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Photo Courtesy Of Doc Keyaza!

 

Led Zeppelin – Houses of the Holy (1973) Best Releases / Pressings:

L5

 

 

 

 

 

 

 

1. Led Zeppelin – Houses Of The Holy (1973) (Original UK “Porky” George Peckham Pressing) Ans2TheMstr Vinyl Rip > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

2. Led Zeppelin – Houses Of The Holy (1973) (Original US Robert Ludwig Pressing) Ans2TheMstr Vinyl Rip > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

3.  Led Zeppelin – Houses Of The Holy (1973/2006) (Classic Records 45 RPM Reissue) FnlMstr Vinyl Rip > Transferred to 24Bit/48kHz ALAC .MP4 [HI-RES]

4. Led Zeppelin – Houses Of The Holy (1973/1987) (1987 US Atlantic Barry Diament/Joe Sidore Mastered CD) 16Bit/44.1kHz Lossless Flac

5. Led Zeppelin – Houses Of The Holy (1973/1987) (1987 Barry Diament/Joe Sidore Japan Atlantic Mastered CD) 16Bit/44.1kHz Lossless Flac

 

 

UK George Peckham Porky Beats out US Robert Ludwig IMHO. This is my favorite Zeppelin album with II right at it’s heels!

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Photo Courtesy Of Doc Keyaza!

 

Led Zeppelin – Physical Graffiti (1975) Best Releases / Pressings:

L6

 

 

 

 

 

 

 

1. Led Zeppelin – Physical Graffiti (1975) (Original US Pressing)  Ans2TheMstr Vinyl Rip > transferred to 24Bit/48kHz ALAC .MP4 [Hi-Rez]

2. Led Zeppelin – Physical Graffiti (1975/2006) (Classic Records 2LP 200gr Pressing) Vinyl Rip > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

3. Led Zeppelin – Physical Graffiti (1975/2006) (Classic Records Reissue) LegMstr Vinyl Rip > transferred to 24Bit/48kHz ALAC .MP4 [Hi-Rez]

4. Led Zeppelin – Physical Graffiti (1975) (UK) Early AT33PTG Vinyl Rip   > Transferred to 16Bit/44.1kHz Lossless Flac

5. Led Zeppelin – Physical Graffiti (1975/1987) (1987 US Atlantic Swan Song 2XCD Barry Diament/Joe Sidore Mastered CD’s) 16Bit/44.1kHz Lossless Flac

 

If you can get hold of 1987 US Atlantic Swan Song 2XCD Barry Diament/Joe Sidore Mastered CD’s it is highly recommended.

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Photo Courtesy Of Doc Keyaza!

 

Led Zeppelin – Presence (1976) Best Releases / Pressings:

L7

 

 

 

 

 

 

1. Led Zeppelin – Presence (1976/2006) (Classic Records 45 RPM Reissue) FnlMstr (NC) Vinyl Rip > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

2. Led Zeppelin – Presence (1976) (German Second Pressing) Ans2TheMstr Vinyl Rip > transferred to 24Bit/48kHz ALAC .MP4 [Hi-Rez]

3. Led Zeppelin – Presence (1976/1987) (1987 US Atlantic Swan Song Barry Diament/Joe Sidore Mastered CD) 16Bit/44.1kHz Lossless Flac

5848_1033371651361_1157678_n

Photo Courtesy Of Doc Keyaza!

 

 

Led Zeppelin – In Through the Out Door (1979) Best Releases / Pressings:

L8

 

 

 

 

 

 

 

1. Led Zeppelin – In Through The Out Door (1979) (Original US Pressing) Ans2TheMstr Vinyl Rip > Transferred to 24Bit/96kHz Lossless Flac [HI-RES]

2. Led Zeppelin – In Through The Out Door (1979/2006) (Classic Records Reissue) LegMstr Vinyl Rip > transferred to 24Bit/48kHz ALAC .MP4 [Hi-Rez]

3. Led Zeppelin – In Through The Out Door (1979/1988) (1988 US Atlantic Swan Song Barry Diament/Joe Sidore Mastered CD) 16Bit/44.1kHz Lossless Flac

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Photo Courtesy Of Doc Keyaza!

 

Led Zeppelin – Coda (1982) Best Releases / Pressings:

L9

 

 

 

 

 

 

 

1.Led Zeppelin – Coda (1982/2006) (Classic Records Reissue) LegMstr Vinyl Rip > transferred to 24Bit/48kHz ALAC .MP4 [Hi-Rez]

2. Led Zeppelin –  Coda (1982/1988) (1988 US Atlantic Swan Song Barry Diament/Joe Sidore Mastered CD) 16Bit/44.1kHz Lossless Flac

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Photo Courtesy Of Doc Keyaza!

 

==========================================================

 

 

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Final Verdict Overall: I recommend that if you cannot get a hold of the Early Vinyl, you search out the 1980’s Barry Diament/ Joe Sidore Mastered CD’s. They are the unsurpassed digital version of the RAW Led Zeppelin “Sound”. As you can see from my rankings all versions of the 2014 Deluxe Reissues fall behind the 1980’s Diament/Sidore Masterings. As I said earlier you may love the 2014 Deluxe Reissues. Whether or not that is the case is up to you. This may be a good time to start to get a trained ear by acquiring different pressings as you probably already have one or two releases. If not and want to just save your cash, you now know which releases to go directly after and enter bliss.

I hope this gives you some reference information. I will be updating it over time as the music continues to evolve. The next batch of Deluxe Issues are slated for Early Fall 2014. Thank you all for you questions, comments, and words of wisdom. Do What Thou Whilt!

End\

==========================================================

 

So there you have it…thanks for reading and your massive support.

Bless Bless!

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Photo Courtesy Of Doc Keyaza!

 

Mirror: The Portal To The Back end Side Of This Site:

http://playlists.christmachine.com/hd-tracks/christmachine-audio-reference-music-server-playlist-12-the-best-of-the-led-zeppelin-catalog-pressingspost-special-second-pass-edit-070214mirror-post-special/

 

CM ☕

 

 

Please do not reproduce this article either all or in part without the expressed written permission of the author who can be reached via the “Contact” section in the header menu. You may link to the article if you wish, all that we ask is that you give credit to the respective author…”Christmachine” wherever you post a link. Thank you.

 

 

 

Copyright © 2015 Christmachine. All Rights Reserved.

©2014 – 2020 Christmachine

 

 

 

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I Found Myself Standing At A Payphone In Istanbul With No Idea How I’d Gotten There…

 

Today Up On Christmachine Audio Reference Music Server :

I found myself standing at a payphone in Istanbul with no idea how I’d gotten there. There was precedence for this of course, as I’d not only been here in the past but I enjoyed the adventure of waking in strange places many times before. I would only accept the absolute best purity available, and my present situation reflected this…with no lingering side effects I was now free to be on my way. As soon as I had begun to find my bearings a small noisy Toyota Pickup pulled up, inside dressed to the nines with dingo balls and  900x900px-LL-0556ce38_phap12315fuzzy Dice. I noticed it was Patel, “Would you like to go to the moon,” he yelled above the loud Arab music. I shouted back playfully, “How the hell did you know where I was?”. Patel replied with glee, “Coach called, and he was worried you would wander off.” Well that explains everything I thought. I hopped in the jalopy and asked him if he would mind taking me to Athens the long way via a stop for incidentals in Sofia. “Anywhere, is fine”.

I love Patel, he was old school and although we’d been through some rough patches together, if not Coach there was no other person I’d rather have by my side other than Patel. Patel was a man of the night and a great companion in Eastern Europe and the Middle East because he was a polyglot (Spoke several languages). Patel had gotten me out of more than one fix in the past as I had done for him in the states. Plus we were real fucking blood brothers, you know just like the mafia…pricking fingers and sealing the deal by bringing the world together from our potent dedication.

The only thing was that Patel loved his weed, and I was more a pharmaceutical grade kind of guy. I used to smoke the weed but it just made me paranoid. To be honest the real conundrum was that Patel actually drove better after a toke…when sober he was dangerous behind the wheel. Neither of us touched alcohol anymore, unless it was used as a solvent to hold, sustain, and preserve opiates. As a matter of Fact that was the reason for our stop in Sofia. When we got to the Bulgarian border, Patel waved 900x900px-LL-e6cc8a0c_3661024968_57c89e6e22_ohis passport and gave the guard a package, that was enough for us to continue on.

Once we got to the city it was in and out…I just had to test for purity, excellent, then southeast to Athens. Of course I had a taste and wanted to be chill for the flight back to the States. Once reaching Athens, one more stop for a drop and then it was on to the airport. I convinced Patel to come along. I told him it was beautiful in Montreal this time of year…that he had to come along. After some haggling, I had to promise to obtain a supply of hydro for him for the journey, I agreed, that was fair enough. We would have to make a stop in the Granite State for that and then drive over the border into Quebec. You see it was fine to bring incidentals north over the border but not south back into the States, which meant that we would have to finish whatever supplies we had when coming back home over the border.

I went into a deep sleep on the plane and did not wake until we arrived at the airport, wow this stuff was speed bump free…really smooth. After getting a rental car we head north to New Hampshire so that we could gather supplies before heading to Quebec. We quickly obtained Patel’s hydro as well as a cooler with ice and beverages. I fixed my face and then 900x900px-LL-ce690b88we were of to the races. All I could think was that Coach would love to be with us but he, well we will not discuss where he was but it was not here. His loss, was all I could think, he’d come along next time.

Oooh this was going to be fun, we made a pit stop before hitting the Canadian Border, in Burlington, Vermont to pick up a small tank of Pharmaceutical Nitrous and my bottles of tincture would be waiting in Montreal for me. Coach had rubbed of on me, I did not have to carry incidentals across borders anymore and not go without. As usual customs at the border was a breeze and we were in Montreal within an hour. We head to Rue St. Denis to our hotel and after getting settled…err, yeah right, the sound of nitrous was flowing into heavy balloons and Patel smoked his hydro. Two beds, stretched out an staring into space…wah wah wah wah wa wa waw wa weee awww….the hours passed by like minutes and before we know it was morning.

Well with no sleep, it would be strange in Old Town, but I loved that place it reminded me of Spain, and I had to go there. All Patel kept saying was that he wanted to go for Indian food, he was more easily satiated…food, not for me. So I took my morning medication but only a half a dose because I did not want to pass out leaving Patel to carry my melted body all the way back to the hotel without authorities noticing. I know what your thinking, I was a responsible substance user, and would never put my weight onto others. Only I was 900x900px-LL-f1614a80_tumblr_kqixcwZiC31qzcz75o1_400responsible for my actions, no one else. Again Patel said he wanted to see what time the Indian restaurant was open for lunch…he had looked it up at the tourist info center. I would not be caught dead at a tourist center. I was never a tourist, I was at home wherever I went, not really but I pretended that I was. Please don’t burst my bubble.

I thought it would be a great idea to hit up Club Stereo and hang out with the dark after Patel got his lunch. Too much sun was bad for my complexion, a little bit of cholesterol converted in my epidermis to vitamin D and I was toast. So it was back to the hotel for some more gas and his hydro. I actually liked that skunky smell, my brain just could not take it anymore, so I’ll just enjoy the smell. After enough gas I went out, not waking until dark, I was very happy as I was a night person. I would make a great vampire…”I’ve come to suck your blood”, I would say over and over and over. The people in the lobby taking tea were annoyed, I heard one guy say in French, “Fucking stupid Americans”. I asked him directly in Spanish if he spoke Espanol, and he replied “Si”. So I continued in Spanish telling him I was fucking Norwegian, via Iceland from Viking Stock direct lineage and my friend Patel was fucking Asian from Mumbai and that if he didn’t treat us with respect we would kick his ass. I know, it was very hard to keep a straight face as I could hear Patel sucking on a huge balloon with a high pitched squeal…then Patel collapsed in the lobby laughing.

After dragging him out the front door, we spent a night at the club. Got some veeze and got really tweaked…time flew hours into minutes. It was almost morning already, so we decided to head back to the hotel room to finish off all the incidentals as it was time to head home. Yeah right, after doing so we ended up passing out and waking the next evening to  someone having crazy sex in the next room over. It was frickin’ loud, so loud it woke me out of my stupor. Well a few more hours and It would be light, so we gathered our things, finished the last taste and got in the car to head for the border.

So I usually don’t get paranoid, but as we got close to the US border, I felt a little self conscious about dealing with customs and I hoped it would be a smooth transition. Then I looked at Patel, then looked down at myself and thought oh shit, we’re screwed. I never thought about it but I was a longhair at the time and Patel looked middle eastern and we were both worse for wear. We were unlikely comrades and our story of what we were doing in Canada was sure to be frazzled. I thought, calm down we have nothing in the car. Remember nothing goes across the borders south, we would be fine. So we approached the border agent and as I thought he had us pull forward to be checked. We parked the car and a group of armed border agents approached the car and they told us to wait inside in the lobby and they would come get us when done.

Nearly an hour passed and an agent walked in he said well we found what we were looking for and it’s enough to hold you. He raises his hand and shows us one marijuana seed. One Fucking SEED!!!! WTF. He said we could detain you for this but we will not because as it is a rental car it could have already have been in there, and that the rest of the car was clean and that we could go. So we walked outside and what do you know all of the cars’ removable interior was piled all around it. They just left it there for us to put it all back together. Assholes! Well we gathered and organized just happy to get out of there. We made it back home to watch some great cinema on the tube. We were lucky, especially I was fortunate, as it probably was not a good idea to find myself standing at a payphone anywhere without knowing how I had gotten there.

 

Thanks for reading.

Cheers and Bless Bless!

 

CM ☕

 

Please do not reproduce this article either all or in part without the expressed written permission of the author who can be reached via the “Contact” section in the header menu. You may link to the article if you wish, all that we ask is that you give credit to the respective author…”Christmachine” wherever you post a link. Thank you.

 

 

 

Copyright © 2015 Christmachine. All Rights Reserved.

©2014 – 2020 Christmachine