My Experience: Nirvana ~ The 2 Days Punk Went Mainstream…& My Time W/ Kurt Cobain

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My Experience: Nirvana ~ The 2 Days Punk Went Mainstream…& My Time W/ Kurt Cobain

 

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Many of you know by now from previous posts, how I was involved in the music industry so I am not going to go over all that again. If you are new and you would like to know then you can read a lot of posts on just this subject from the last few months at this website. Many more of these will be presented here over time and I hope you get some enjoyment in reading them. This one in particular has been painful to reexamine but I am looking at it as a sort of catharsis, and a way to organize my emotions that have been quite tangled over the years just thinking about it. I was affected by it, and I don’t know how far I will go to explain why.

I have fought my emotions over and over as to whether I should publish this for two reasons; I did not want to write about someone who became a mega cult figure in the world of music just to gain readers, and two for a long time I thought I should let sleeping dogs lie. There are portions of this story that I was aware, and in the middle of, that have caused major shit storms in the media in the past and a lot of people were hurt emotionally. I will have to walk a fine line here so as to not sensationalize this piece, meaning that some things will be spoken of in generalities where people will know what I am talking about, and also may have to leave some specific details out as they are just dirt and have been well covered by the mainstream press.

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My experience of the two days punk went mainstream took place in three small clubs in Boston in the fall of 1991, where the first show on a Monday in late September was in every sense of the word pre-punk mainstream and the next day literally “Oh well whatever, Nevermind”. I decided to write about my experience as an ode and a sad goodbye to my cultural guide for many years, a free weekly entertainment and lifestyle paper which served as my source of news (The Boston Phoenix), and a farewell to it’s sister radio station 101.7 FM WFNX Boston.  This week the final issue was sent to press and the word came down, even as a surprise to workers, that the complete media group would be shutting down for good after a decade of trying to reorganize to save the iconic presence that it held in the difficult media space that we find ourselves in. Ladies and gentlemen this is the death of not only an era for Boston but more importantly the continuation in an age of 092391.0003superficiality that has been brewing for a long time. As Holden Caufield would say we live in a phony time.

I find it akin to Nirvana and all the other great bands at that time wiping the slate clean of decadence and bringing with it heroin chic and doom and gloom. None of the bands were at fault as we know that music in any time period is a reflection of the society as we know it  If the 80’s were all about fun and excess, then the 90’s were about introspection and cutting the fat. Both era’s felt really powerful and exciting, while at the same time courting death as if it was an old friend on standby just waiting to fill the void. The big difference was that in the 80’s seemed without consequence, where the 90’s were all about celebrating the damage that had already been done. They were both thrillingly dangerous coupled with the excitement of endless possibilities. Now the danger has accelerated to  a new level of pharmaceutical purity and as I said a disconnect of virtual 092391.0002superficiality where everyone is a “rockstar” whether everyone else around you knows it or not. It takes “fake it till you make it”, to new levels of obscenity and vulgarity.

So Nirvana was coming to town from Canada and they arrived on September 22, 1991 (the day prior the WFNX Party but were not present at the clubs that I knew of until the next day), they had played a show in Montreal the night before. The reason that Nirvana was coming to town was a result of a number of serendipitous reasons as well as some hard work by a DJ at the local alternative radio station in Boston WFNX. It just so happened that Nirvana had Boston on their minds inadvertently for a long time as big fans of the amazing Boston band The Pixies. Second WFNX was one of the few radio stations that was playing Nirvana early on, well before they were famous. WFNX happened to hold 092391.0004a birthday bash every year where all the clubs on Lansdowne Street hosted up and coming bands as well as some headliners that were on the verge of some trajectory of stardom.

I think the DJ at WFNX I am referring to was Kurt St. John, he ended up doing some interviews with Nirvana (Not the one live on air done at this party) but a few which would be the first, if not only, CD interview with the band released officially by Nirvana’s Label. Earlier in the summer of 1991 St. John basically begged  Nirvana management to play the WFNX birthday bash in September 1991. After some wrangling and persistence by St. John he convinced them to agree to Headline the party at Club Axis. At this time Nirvana only had the album “Bleach” out, as well some singles that would eventually end up on “Incesticide”. A few people had advance promo copies of Nevermind (WFNX being one of them) on cassette and probably CD and I seem to remember hearing “Smells Like Teen Spirit” played on WFNX in the afterhours, at the time 61EZcegYhCL._SY300_not knowing exactly who it was. I had already seen Nirvana play once before with Chad, and it was also the first time I met Kurt…we finished off a bottle of my …. ….. Not proud of it but it happened.

So when I heard they were coming to town for the WFNX bash, I was excited but I had no idea. I had seen many bands that got my attention early on and after they had received some commercial success only to fizzle out or just maintain a cult following…so this was how I imagined it would go as well. I was going or working at every show I could any day of the week because it was essential to me to hear the latest and the greatest of what was to come. Because I was around the clubs most of the day in the preparation stages of setting up and on days like the WFNX Birthday…officials from the record labels as well as radio representatives would be there along with members of the crew and the bands. Being in this position I saw almost everyone that was coming or going throughout the day.

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This was the point where the sound engineers would be consulting with the bands as to what the they required for setup for them to play. Amplifiers, guitars, drums, etc. were brought into the clubs. Each club had it’s own security and crew setting up for the evening festivities. One thing that was different this night is that Nirvana was going to be performing a sort of record release night. The night of the WFNX bash was the day before the release of “Nevermind” and of course few if anyone knew what was about to happen ( at least how big ). On days like this there was always a heady excitement in the air…so I look back and remember that I recognized it was to be special night as everyone was running around like chickens with their heads cut off.

At some point in the late afternoon Smashing Pumpkins arrived as did Nirvana and the other two bands that were opening that night, it was the first time seeing their new drummer Dave. Kurt was with his “girlfriend” at least I thought it was his girlfriend she was around the whole two days and they seemed more than just friends. I did not give any more attention to it friend or girlfriend, they were close I’ll put it that way. So Nirvana did their sound check and they tore the roof off…I thought holy shit, I don’t remember them being this good. I do remember thinking their new drummer hit the skins as hard as John Bonham…no joke he was that good. Soon after their sound check I ran into Kurt and he remembered who I was because he walked up to me and I said something like…’The new drummer holy shit.’ Kurt replied…”That’s Dave he’s great”. I said I’ll be around for the duration if you guys need anything just let me know. Kurt said “Thanks, I’ll see you later.” I then went to get dinner on Boylston Street and stopped by Tower Records and I knew someone who worked there and after telling him I was going to the Nirvana show that night and I can’t wait to get the new album. He said I have something for you…he gave me the “Nevermind” cassette without a cover or artwork, I was on cloud nine to say the least. After a quick meal it was back to Lansdowne for the night.

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The best thing I remember about the two days was just being around to take it all in(I know that sounds camp)…I look back on it now and I remember bumping into Kurt several times over the two days and having a smoke. He was very shy but personable. At one point he seemed to put me in a psych corner, asking me what music I listened to. I told him everything from Metal to Classical to Jazz and Punk. He said something about “Macho”. I was not shy and I told him “I Fucking hate Machismo…” I said ‘I joke about the Men Men Men thing, but I get along better with women than men. Not in a sexual way, I have a lot of girls that are friends, more than guys. I know it sounds cliche but I remember having short chat about gays as well because I worked at the gay nights although I was not gay (not that it mattered anyway but that’s how it came up), I’m comfortable in my sexuality.’ (I said with a smile) Kurt was like ok, smirking “I get it” as if a tip to calm down. I remember vividly thinking he’s probably going to ditch me now. He did not, we just had a smoke and I remember him also saying to me “Boston is a great city.” He was always on the move and had a lot of people shuffling him around. So I had chats with him when we found ourselves standing near each other off and on over the next two days.

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Kurt wasn’t around a lot…I found out later that he was hanging out with his girlfriend, would’nt you do the same. Dave and Krist were around most of the time doing promotional stuff. I found it funny that Kurt just ditched it. Of course what we know of Nirvana now it 092391.19was not a stretch to see Kurt disappear on all the phonies. Krist and Dave were funny to watch and were constantly joking around. When Kurt was around he was selectively responsive and short in conversation with others in an ironic way. Depending on who he was talking to he could switch right into sweet and kind mode. It was interesting just watching him talk to people, he seemed to have a very active intuition about people…he would take in the vibe and then return with a similar response on a dime. He was definitely an interesting person, and as I found a joy to be around.

Now to logistics, if you’ve ever been to Axis you would know there really is not any backstage, just a small area to the side of the stage House Right Stage Left speaker avalonaxis 11 lstacks. There is a door there that leads to a fenced in alley between what was then Axis and Club Venus De Milo. This is were people would hang out and smoke or catch a breath of fresh air. The backstage for Axis was either the second floor up one of two stairwells as well as a door that led to a room off the second floor above the stage of Avalon Club. The bands, crew, and security would wander between the three clubs as food was being served. A while later they did an on air interview with WFNX which I did not see, but then they went onto the stage at Bill’s Bar and MTV was there where they filmed all the bands playing Crisco Twister. Krist was the most outgoing slathering himself up in Crisco (See Video). Kurt, Dave, James Iha, and Billy Corgan jumped in as well.

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Next was the show for the first night, I heard the Smashing Pumpkins go on so I went in the side door. They were amazing but way too short. Bullet Lavoltta was great as well…at that point I was really excited for Nirvana the place was sweaty and packed! The crowd was like the tide going in and out, undulating to the beats and harmonies. Axis Club which 092391.16was a black hole (even when empty and the lights on) and smelled of piss and rubber latex, but that night had turned into a black mass. The altar on which legends are made, and the crowd was lovingly violent. The floor in front of the stage only held several hundred people and all the wings were standing room only. I remember thinking why did they not have this at Avalon. I didn’t go on about it because I was in…I did wonder how many of the masses of people lined up down the street got in. There were three shows going on at once, one at Venus, one at Axis, and one at Avalon. How it would work is, you had to get into the club you wanted early because if one was full, as Axis was, you could wait for people to leave or go to one of the other clubs. In this case that meant being shut out and have to settle with another venue.

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I remember talking to people later on that had no idea who Nirvana was and went to the other clubs instead. Major fail, as we say today. It took a while for Nirvana to go on and when they did it was just Dave and Krist…Kurt came a bit later, it seemed like forever.  When they ripped into their first song, the place went absolutely mental. The songs that stood out for me were, Drain You, “Jesus Don’t want me for a sunbeam” (their first known performance of this) and “Rape Me” which would not be out for a few more years on “In Utero”. I was mesmerized and in love, all the talk was that this band was going to be huge. Now thinking back it reminds me of how Lemmy of Motorhead described what it was like before and after rock and roll. Lemmy said somewhere that he ‘remembers what it was like before Rock and Roll’. All there was and I’m paraphrasing here, ‘was your mothers Rosemary Clooney Records, then all of a sudden there was Elvis, Little Richard, and Jerry Lee Lewis.’ When I heard him say this all I could think of was these Nirvana shows. Exactly how it felt…there was before and after, like a demarcation in time, as if that time had stopped for a while and then started again. Everything was somehow different. I’m not trying to be dramatic here, it’s just how it was.

Nirvana: Live at the Axis Nightclub – September 23, 1991
Intro
Aneurysm
Drain You
School
Smells Like Teen Spirit
Come As You Are
Sliver
Jesus Don’t Want Me For A Sunbeam
Floyd The Barber
Polly
About A Girl
Breed
Rape Me
Blew
Been A Son
Negative Creep

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After the show was over I was pretty hopped up so I went to a friends house that was having a late night party. When I got there I told people what I had just witnessed and I said you have to hear their new album…so I put the cassette in a boom box and played “Nevermind” in full. The reaction was negative from everyone, I think the words used was, “hated it” and this was a crowd into new and heavy music. I was stunned, they did not get it. It’s safe to say that a month later they were all listening to “Nevermind” on repeat. I never mentioned the cold greeting it got when I first played it that night. Not only that I did not pursue any of them to go the next day to the second show as a result of their reaction. So I got fired up that night on chemicals, alcohol, and my beloved cough syrup. What a blur!

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Photo Courtesy of Doc! Oh Well, Whatever, NEVERMIND!

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Woke up the next day early afternoon and shook off the cobwebs and head back to Lansdowne for the second early show. They had decided to add another show that day September 24, 1991 because the first show was 21+ this way younger people could get in. It really seemed like everyone in the band was having a great time here in Boston. I was quite proud of that. That Boston could stand tall against bigger markets in terms of music quality, with top shelf audio engineers, crew, and staff second to none.

Again it was another blowout  It was magnificent, the sets were a little different, on order especially. The standouts were Come As You Are, .Breed, Pennyroyal Tea, and my favorite song Dive. I only remember the setlist because I have the recordings of these shows. Thank God someone realized that this was history in the making and knew to record it. I’ve recorded some great shows as well but this was before my rogue recording career was in full swing.

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Nirvana: Live at the Axis Nightclub – September 24, 1991

Jesus Wants Me For A Sunbeam
Drain You
Floyd The Barber
Sliver
Smells Like Teen Spirit
Come As You Are
Breed
About A Girl
Satisfaction
Territorial Pissings
Pennyroyal Tea
School
Blew
Negative Creep
Been A Son
Dive

When It was all over it really took years to sink in as to how great that moment was. Now I am able to look at it with a smile. Nirvana was not on my mind, although I do remember thinking it would be great to see them again. So when I was in the UK the next year I saw them at the Reading Festival…I was now just a face in a crowd of hundreds of thousands it was weird but still fun. The thoughts of the guys in Nirvana just walking around unknown, flashed in my memory and now this. OMG! My next recollection in regard to this time that would cause me to sink into the very lowest point in my life. It was April of 1994 and I was driving through Kenmore Square in Boston, and I heard over the radio that Kurt had died of a self inflicted gun shot wound to the head. I went into a trance it seemed, like I had been punched in the gut. I almost got in an accident pulling over to the side of the road in busy traffic. I was gutted.

The next few days I reflected on my life what was important family, etc…and I had a mean drug habit as well. This is why it was so hard to even begin this piece. I was one of the lucky one’s. I was able to clean up quite fast, still at such a young age, and sad to say that it had to take something like this to happen. I probably would have straightened out eventually anyway…it was in my thoughts already. I was using hard and not getting high anymore no matter how much I tried, I think what saved me was that I never hit the needle. Too many of my friends are dead from guns and drugs so much pain for the families left behind…so much freaking wreckage!

There seems to be a cult following of Kurt today and he was not a superstar first, he was not a God, he was just a person. Nirvana was really something special and for a moment in time it felt like we could fly….Two for the ages!

 

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Up the Irons, Droogies! 🙂

 

Thanks, as always, for your support.

RIP~ Tommy Ramone!

 

Enjoy, more interesting articles to come!

Cheers and Bless Bless!

 

CM ☕

 

 

Please do not reproduce this article either all or in part without the expressed written permission of the author who can be reached via the “Contact” section in the header menu. You may link to the article if you wish, all that we ask is that you give credit to the respective author…”Christmachine” wherever you post a link. Thank you.

 

 

 

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©2014 – 2020 Christmachine

 

If You’re Into Music, The Next 23 Minutes And 30 Seconds Could Be The Most Important In Your Life! David Mancuso On Sound Tech, Structure, Mood, And Acoustics…[***Video***]

Davd Mancuso if you do not know, was the founder of the legendary club night in his own The Man“Loft”. The Loft NYC was founded on February 7, 1970 and as you will see it was not all just about fun, it was serious stuff. Although Mancuso is a little hard to follow, in this short video he describes all the fundamentals and physics in a really palatable way for all to learn how music works. Without delving deep he gets into the technical and psychological of discovering and delivering the best sound possible. His vision along with Alex Rosner & Richard long, who serviced Mancuso’s equipment and acted as an advisor respectively, were responsible for many of the best sound systems around the world. Mancuso says “The sound will present itself” if you have these attributes trump tight;

  1. You Need a good speaker.
  2. You Need a good clean source.
  3. You Need them both to work efficiently, reaching the whole spectrum.
  4. You Need 1 Watt in and 1db out
  5. You Need the speaker to hit a “Low C note” on an organ, not many speakers will do that.

If you have all these fundamentals, then the room will act as the speaker and that wide stereo image will let you perceive where the musicians and instruments are in the room. Their subtle details will transparently come through from the record or tape. Therefore 2403132488_5d2307e9eccontrary to many peoples beliefs you will not need any bass enhancement, ‘because it’s already there, it’s just right there’.

This footage was taken from the “Out-takes” for the independent film “The Maestro”. I thought to myself the out-takes really…The ideas that David presents in this video clip are all anyone needs to know about music, period! I’ve watched this video many times and I’m always struck with how simple it all really is. It is us and the corporations that make it hard. This video ultimately shows why the instruments of the musician, yes even the DJ and the speakers created a whole industry of underground customization and modification. If you’ve heard what good sound, sounds like…then if it’s not right then you must make it right.

Enjoy and Ponder Friends!

Some Excellent News Later Today, Very, Very Good News!

http://en.wikipedia.org/wiki/David_Mancuso

http://www.gregwilson.co.uk/2013/05/david-mancuso-and-the-art-of-deejaying-without-deejaying/

Don’t waste any more time…make sure the sound is right. XD

 

CM ☕

 

 

Please do not reproduce this article either all or in part without the expressed written permission of the author who can be reached via the “Contact” section in the header menu. You may link to the article if you wish, all that we ask is that you give credit to the respective author…”Christmachine” wherever you post a link. Thank you.

 

 

Copyright © 2015 Christmachine. All Rights Reserved.

©2014 – 2020 Christmachine

 

Audio Reference Music Server Essential Reading Post #1

Today we rejoice the Pono Kickstarter campaign which has ended as the 3rd most funded project since it’s inception. The tremendous tally of donations now stands at a very impressive $6,225,354 U.S. unseating “The Veronica Mars Movie” which had held the third spot, is now rightfully owned by the Pono campaign. So let’s suffice to say there are a lot of happy ears 5970_1187535964119_7451457_nthat will avoid future ear fatigue and hearing loss from poor quality audio which can be left behind as a thing of the past (but still be careful with your volume especialy with earbuds and IEM’s).

I did also notice that there are a large amount of people for whom this is their first foray into the world of Hi-rez digital music. So as a result I will be posting links to content that will enrich the new and  old converts as to how we got where we are today…and also how (especially the newly anointed) can make the whole listening experience even more enjoyable for free.

So today here is a link to an extremely interesting and revealing article on how “Labels are striving to rectify past archival problems”. It’s quite an eye opening read…and it ties in directly to our yearning to obtain high quality digital sources because if a source does not exist anymore then they will have to use inferior sources (not always a terrible thing but sad) in order to facilitate a new digital release. Remember there are hundreds of thousands of extremely important works of music that have never even been released on CD. One such release was Stevie Nicks and Lindsay Buckingham’s vinyl release “Buckingham Nicks – ST”, an amazing album which many people had never heard if they did not access the vinyl…I must say happily that a few years ago it was released as a “Deluxe Edition” on CD as a result of “Vinyl Rippers” making available for download an amazing rendering from the original vinyl…so the black market demand for the album forced a CD release. The vinyl rip is still better to my ears but the point is that these “grass roots movements” such as Pono and even some legally questionable movements in the end can have a great influence on the music industry for a good outcome of a goal.

This week I have some excellent articles to post in my own words on the History of Hi-rez including the underground trade of Hi-rez works / where we are now and how it forced the industry to finally get on board, how to get the most out of your Hi-rez listening experience for free (links to essential freeware downloads), Reviews, and New Playlists & Videos (in the “Playlist part of this site). Something for everyone I guarantee.

I thank you all for all the support and emails and hope you will continue to come back here to learn and enjoy this ride with us. For your convenience there is a link in the lower right hand corner of the websites that will allow you to add this site to your RSS feed bookmarks so you can see in real time what I have posted each day. Thanks again and respect.

Thanks to Bill Holland for this amazing piece of archival work. [Direct Link]

http://www.billholland.net/words/Labels%20Strive%20to%20Rectify%20Past%20Archival%20Problems.pdf

Enjoy….More posts later today.

CM

 

 

Please do not reproduce this article either all or in part without the expressed written permission of the author who can be reached via the “Contact” section in the header menu. You may link to the article if you wish, all that we ask is that you give credit to the respective author…”Christmachine” wherever you post a link. Thank you.

 

 

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©2014 – 2020 Christmachine ☕

Welcome to Christmachine Audio Reference Music Server!

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My Rig On The Rocks ~ Wish You Were Here! xoxoxo Muaw.

Welcome to Christmachine Audio Reference Music Server!

In this archive I will be posting, IMO the best / specific releases that contain the finest sound quality in the world. All of the titles posted here I’ve listened to 5-20+ versions on all different media (over and over comparing and discussing with a trained ear)… and through my 30 year journey of doing this through listening, research, and forums, I will point you in the direction of these best possible sources. My posts are not final and will always be subject to updates as my research evolves, there can be other sources that are just as “good” as what I post but it is all a matter of opinion…Ex. Sometimes I like a clinical sounding source and others an emotionally warm source, often times keeping them all depending on my mood or listening setup.

So no more need to settle with a poorly mastered / loud / dynamically sterile CD, lossy .mp3, or unlovingly pressed vinyl. We will focus on comparing Vinyl vs. CD vs HD Tracks vs Pono Store + others etc. By offering you keywords to use in search, I can save you endless hours of searching so you can get straight to the source. Google and Duck Duck Go work wonders as you know if your conduct your searches correctly. Also as music preferences are subjective, I’m not implying anyone does not have good versions of these titles already, if your happy with what you have that is fine. All tiles in various resolutions are available on the internet off and on and can be downloaded / purchased by you with some searching. I guarantee it will be worth your while if you care about sound quality.tagdits

The titles, links, and videos etc. I post in the separate “Playlist” blog page feed (See the “PLAYLIST” page button below the “HOME” page button in the main menu) are  what I have listened to in their entirety “today” or “that day” in chronological order. Again I will give specific key words in the titles as well as links to reference said media for your review and enjoyment. Again if you, over time, search out these specific sources it will open your eyes to a whole new way of listening to music.

These specific titles will wash over you like a tidal wave of sound and elicit emotional joy in the highest form, maybe you can experience what trained ears call audio Nirvana. This is often described after years of listening to a a favorite album we already have at home…as if the veil has (finally) been lifted and you are truly listening to the music the way the artists in the studio intended you to hear it…for the very first time. If you close your eyes, you will sense the artist or band is performing right in front of you and you can visualize and point to where the instruments are on a virtual 3D sound stage all around you.

It was John Lennon who said that Sgt. Pepper and many other landmark Beatles albums were not recorded to be listened to in stereo. Stereo was available to them at the time but John and other members of the band thought their music was recorded and sounded best in mono (One speaker or two speakers or headphones playing the same thing in each channel). The reason they released the stereo versions against their original judgement was because the record companies demanded it as did the fans. Interesting perspective on audio opinion our and our individual preferences.

If anyone has music they would like me to review and possibly post in the “Playlist” page you can send me specific links to the content at the email link in the contact page. I love all styles of music and if I like it I will post it in the feed. Again please send a SPECIFIC / direct links to your music as I can’t spend a lot of time looking through your Facebook Page or Twitter Posts.

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This is an Open Source Friendly Site

Remember most bands recordings are pressed or digitized by record company media conglomerates that could give a care how the CD sounds or if the recording you have is sourced from many generations removed from the original analogue source tapes / just an up-sampled CD source…they’d be happy to sell it to you again and again a few years later as a “better” sounding remaster.

With that said if you do download music please remember to support the artists if you like what you hear, by buying their media, merchandise, or attending gigs. I know it sounds cliche and obvious but It must be said. Many times I’ve downloaded something and if I keep and like it I’ll buy the media either in physical form or as digital download and just throw it in the recycle bin or delete it…either way they get compensated for their art as they rightfully should as they are bearing their gifts to us.

I will be posting daily but you can also follow me on Twitter, Scoop.it, and Tumblr if you like.

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Happy hunting, listening, & Respect.

CM

 

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