Christmachine Audio Reference Music Server – Social Media Icons Explained

Christmachine Audio Reference Music Server – Social Media Icons Explained ~

Photo Courtesy Of Doc Keyaza!

 

Christmachine social media Icons Simplified…It is necessary to do two posts in quick succession before I start unloading all of the Christmachine Audio Reference Server Quality Standards Catalog recommended as best sources to seek out for your listening pleasure.

I will start with an explanation of the second post which will follow soon after (above) this one, just so you know why, as well as my reasoning for this approach.  The following post will be a rundown of the gear / rig(s) that I have been using for the last two years.  It is somewhat similar to an earlier post a few years back (which I will link to below) except for the different Digital Audio Players (DAP’s – More than one) and there updated specs, that have improved the sound quality without my taking a major hit in price to upgrade.  It’s not super cheap to be fair, but I would say within the price range for anyone who already spends money on gear and music already.

You could do with what gear you already have on hand, even go a whole different route and purchase gear within your price range as well as what sounds good to your ears.  You just have to know that your gear supports the formats you get (Easy: see your device specs), and that if you are going to listen to high bitrates that the doc / dacs (Digital To Analog Converter(s)) have to also be able to support and output the quality (# Bit Depth / kHz Sample Rate) of the audio files.

If the file formats are not supported then a little research is needed to convert and preserve the integrity of the files.  If the internal dac / dacs downsample the audio, it will still sound Very Good at say (16/44) but you will not be making use of the full range of sound afforded by the recordings.

If 16/44 is enough for you then you will have the highest quality 16/44 around, he heh!  Make it fun anyway and compare to your CD versions as well as any digital files such as .mp3’s or .mp4’s, notice any differences. Remember that listening tastes change over time,  according to your current perspective (mood/biases), and is greatly affected by ambient noise in your surroundings.  It does not have to be maniacal, whatever floats the boat, right–yeah!

So the next post will show you my reference / listening gear, so that you can get a general idea as to how I listen and made the decisions for this standardized “Christmachine: Audio Reference Server Catalog“.  The three key words to remember are “Reference”, “Standard”, and “catalog”.  These reviews are from “my” personal “reference catalog”.  Therefore it is my subjective opinion as to the “standard”.  It’s not rocket science.

The fun again, is comparing and contrasting different audio sources and training your ears and brain through a critical listening process that will mature over time.  You can learn this on your own, i.e. by say focusing on the individual instruments and differeing sound signatures, etc. inside and between various recordings of the same piece of music mastered for each specific medium and format.

Keep in mind that the recordings must be of the same sessions or you will then be getting into a whole other realm, known as artist interpretations.  These are quite common in Classical Music, for example, for different musicians, conductors, or composers interpreting a standard legacy piece (Say Mozart’s “Requiem” or Vivaldi’s “Four Seasons” or Beethoven’s 9th Symphony) differently or according to how they believe it should be represented or played.  That’s another realm of exploration, but I digress.

You already own…right now, “your own” personal reference catalog and may not think of it that way.  These are just meant to be my personal recommendations, if you want to attempt to take the music to another level.  If you listen to one or two or three and disagree, happy where your at, then great.  You can always use this site (or not 😉  ) as a reference, and be solid in your opinion….”knowing” where you think I am wrong.

Here is the link I referred to above for reference to my previous rig…

http://www.christmachine.com/christmachine/show-off-the-portable-rig-and-driveline-specs/

 

Photo Courtesy Of Doc Keyaza!

 

Next I just want to take a moment to explain the social media icons, located in the upper right hand corner wedge on all the pages of this website.  There is a reason the icons visual logos do not correspond to the correct link and take you to another of my social media graveyards…heh.  For example the first icon that represents “Linked In” will take you to my twitter page…the reason being that I do not put those icons there to redirect you somewhere else to mess with you.  I do it because, having the right icon for each link just means more traffic and I am not doing this for clicks.  This is a archive website, no frills, not trying to break the net.

So below this paragraph I will post all the links in the order that they are represented in the corresponding icons.  If you want to click on these links to check them out, then you can just ignore the social media icons.  Most of the links are graveyards (save for a few), as I said earlier, but they will be used heavily once I get this website really full of fresh content and reviews.

Another thing there are some other links that readers have been going to via search engines thinking that they are mine. A few are not, and that is why I am explaining and posting all the links here.  For example…there is more than one Christmachine Youtube account…so now you will be able to see the right one, same for FB, and a few others.

Also there are a few links that I use daily, so I added them to the icons and are not my pages, but use them for reference for say Discogs and Wiki Languages and Omniglot.  Some of them like Discogs are there because I reference then a lot in regards to this website, and obviously you can use them too, for cross reference and search.  The Dynamic Range Database is in there as well…again, pertinent to this website.  So here they are for our reference.  All the links below are hot but open in a new tab, so be aware of that if you are on mobile. Stay well!

 

Twitter:

https://twitter.com/christ_machine

 

Youtube:

https://www.youtube.com/user/TheRealChristMachine

 

Scoop.IT:

http://www.scoop.it/u/christmachineandicelandicgurlagenda

 

Omniglot:

http://www.omniglot.com

 

DR – Dynamic Range Database:

http://dr.loudness-war.info

 

Tumblr:

http://christmachine.tumblr.com

 

Christmachine Google Image Search:

https://www.google.com/search?q=christmachine&hl=en&biw=1221&bih=680&site=webhp&tbm=isch&tbo=u&source=univ&sa=X&ved=0ahUKEwiU3-KV–PRAhWTdSYKHW-uCFwQsAQIIA#imgrc=_

 

Mixcloud:

https://www.mixcloud.com/ChristMachine/favorites/

 

Christmachine WordPress.com:

https://christmachine.wordpress.com

 

Christmachine RSS Feed:

(You must have a RSS Reader Installed / Or Shared Links On Mac)

feed://www.christmachine.com/feed/

 

Facebook:

https://www.facebook.com/public/Lincoln-Dottir-Christmachine

 

Instagram:

https://www.instagram.com/christ_machine/

 

Discogs:

https://www.discogs.com

 

Soundcloud:

https://soundcloud.com/christmachine/following

 

Wikipedia Languages:

https://en.wikipedia.org/wiki/List_of_Wikipedias

 

Google+:

https://plus.google.com/116278604902632351342

 

Pinterest:

https://www.pinterest.com/christmachine/

 

There you have it…Current Rig post up next! And then…  😉 🙂 😉

 

Photo Courtesy Of Doc Keyaza!

 

 

Thanks For Reading & All Your Endless Support!

Love You Lots! Stay Well, Be Kind & Bless.

 

Tak Tak, Bless!

Grazie, Ciao!

Obrigadx, Tchau! Adeus!

Gracias, Adios!

Danke, Tchuss!

Merci, Au revoir!

Dank je…Bedankt, Alstublieft!

Merci Vilmal, Adeau!

Gracies, Adieu!

Gracies, Adeu!

 

CM ☕

Please do not reproduce this article either all or in part without the expressed written permission of the (nutty) author who can be reached via the “Contact” section in the header menu. You may link to the article if you wish, all that we ask is that you give credit to the respective author…”Christmachine” wherever you post a link. Thank you.

Copyright © 2017 Christmachine. All Rights Reserved.

 

©2014 – 2020 Christmachine ☕

Now With That Out Of The Way, Back To Christmachine – Audio Reference Server

Now With That Out Of The Way, Back To Christmachine – Audio Reference Server

Ahhh… Where Do You Keep The Vinyl Rips and Hi Resolution Digital Files ? ——————————–>Photo Courtesy Of Doc KEYAZA!!!

 

So there has been enough (So much!) time passed, it’s blatantly obvious to me that no one else will create an Audio Reference Quality Standards Catalogue for individual album releases.  The powers that be have showed us time and time again that they feel that we should be left in the dark about the music we have purchased and continue to purchase.  It’s loud and clear, they do not have to, there is no other option.

All we asked for was lineage and provenance of recordings that we spend gobs of cash for, as well as the textual and numerical details as to how they mastered, remastered, and transferred the new releases. Once again we are left clueless as to what we are purchasing. We know it can be done, some releases have done just that, usually projects overseen by reputable audio engineers.

I do understand that in some cases they do not know some of these details as they have been lost to time, poor record keeping, lack of proper labeling, and a sad state of storage of the original master tapes.  In some cases they don’t even know whether they are the “original studio masters” or well travelled copies.  We saw that in the report on the sad state of historical music archiving, much has been lost or destroyed….as we know back just a few decades ago music industry analysts and label bosses went with the prevailing wisdom, why would we want to preserve all this music–who is going to want it?  What is the use?

This:

https://www.clir.org/pubs/reports/pub148/pub148.pdf

And ESPECIALLY This (Re-Post):

http://www.billholland.net/words/Labels%20Strive%20to%20Rectify%20Past%20Archival%20Problems.pdf

 

Now that they realize the marketing and money making potential, oh the irony there, eh?  All we have asked for is crumbs; forget about the old arguments (for a moment) on the loudness wars, whether high rez audio can be heard by the human ear (The Nyquist Theorem), Wheather vinyl has more warmth and soul, whether expensive cables give a +/- better listening experience, The law of diminishing returns, “Sources? / Laws of Science?, Do CD’s suck, the failure of SACD, .mp3’s are garbage, etc.  Noel Gallagher saying there will be no more vinyl niche as an industry in a few short years as a result of streaming (He thinks? I agree, he is probably right).

With that said, our niche is just that–our niche, and it will continue as long as the electric grids are up.  Even then some of us crazies will be powering phonographs with a stationary bike, using a carefully sharpened fishbone as a rudimentary needle, a significant other propping up a makeshift jimmy-rigged cardboard cone to telescope and carry those wondrous melodies to the flash mobs in our living rooms.  Vinyl wear and tear bad, but for a time the ears are very good.

Remember what is normal any way, and relative to what?  With those previous dire predictions of the future, keeping in mind that some of us have never had or witnessed an argument on the early Yahoo and Alta Vista message boards about the wonders of Hi Resolution Audio (It will always be Hi-rez to me, soz!), I will try to parse mixed nuts.  Threading the needle like a steaming locomotive on crazy good meds, diplomacy will avail for all, no matter what our differences.  Joy!

 

Why don’t we focus on the things that which we do agree.

  1. We pay a lot of money re-purchasing music over and over.
  2. Music listening is a different subjective experience for each person.
  3. It “can” take a wee bit of trained ear (Not a B.S Degree), to hear improvements.
  4. The music is only as good as it’s source.
  5. ABX’ing can, not always, but “can” manifest as human listening fallibility & weakness.
  6. Placebo affect and bias are real “things”[sic].
  7. Provenance and Lineage of our recordings is Interesting and “nice” to have.
  8. There is such a thing as “brick walling”, “anti aliasing”, and de-noising”.
  9. There is more than one type of compression in music.
  10. Type A removes many of the tiny spaces to make music file formats smaller.
  11. Type B holds the fidelity of the performance together, Very Good!
  12. Good source players are available at many price ranges.
  13. There are good headphones and bad headphones at all price ranges.
  14. When in noisy public settings, audio nuances tend to decline.
  15. You Do NOT need to be an audiophile, to source good quality audio (If Available).
  16. Audiophiles can be nuts, same with Hi-Rez deniers. (In a good way 😉 )
  17. That said, Head-fi has it’s place, and deniers seem to hang around bigly.
  18. There are, subjectively to each of us, good mastering engineers and poor ones.
  19. We all have to listen to our source material and make our own judgements.
  20. I can have (IMO); my own vast archive of “self-proclaimed” Reference Quality Vinyl Rips, Hi-Rez digital lossless [FLAC 24/48, 24/96, 24/172, 24/192, 32 bit float, .WAV, even ALAC and DSD], quality sourced and mastered CD’s [16/44] etc., portable DAP’s/amps/DAC’s, and use .mp3’s and Youtube to preview and stream when need be.  It’s fine that you might consider this fodder, trendy, and hipsterish.  I often use apple ear buds while on the go with the mobile. I’m not a gobsmacked music snob…I listen to AC/DC cranked on the local radio in the car, beautifully overbearingly loud in all its overly-compressed glory.  I’d dance randomly in the street to an 80’s boombox with cassettes daily if these types of gatherings where more frequent.
  21. You can have 50,000 lossy .mp3’s on the go, with an excellent ear, sourcing quality CD’s and audio on your own volition (all without my schtick). You might even listen to vinyl for nostalgia purposes possibly.  Further you own low cost but excellent sounding source players as well as an expensive pair of headphones and/ or IEM’s. Even bluetooth love…it’s almost 5.0 (I too am sick of those frickin tangly chords). There’s nothing wrong with any of that.  What I’m getting at is it doesn’t matter.
  22. We can all site the Nyquist Theorem till we are blue in the face, and never get anywhere…agree to disagree perhaps.  If you’re happy, I am happy.
  23. Electronic music and Hip Hop does not and should not have to follow any of these rules.  Electronic music tends to sound great, almost always produced very well, unless it’s a very low bit rate or has been up sampled, but that is usually by design.  Hip Hop needs to be vicious or passive aggressive and Bassy…clean tight bassy…Superb dope! The only reservation I have is when either genre is too bright and shreds my ears. It’s rare, again unless by design.
  24. Classical music is on the other end of the spectrum…the rules DO very very very much apply. Soundstage and instrument separation are paramount.  Loud and soft, loud and soft just like The Pixies or Nirvana. A muddy midrange is a killer.  Attack, sustain, decay should be transparently punchy, grainy, and accurate.  The music has to breathe and pulse…ripping the heart right out your chest even with headphones on. Emotions, knocked about, tugged like a puppet to strings. It should convey an air of atmospheric space with perceivable parameters…and in a perfect world, pseudo-holophonic sound, as if you the listener can imagine you’re there live sitting center stage with the orchestra wrapped 180 degrees from ear to ear.  You’ll know something is wrong right off, a piano from each and every-little-single-ebony-to-ivory key is muddled together as one, or squashed in a constant spew of notes like an accordion. We should be able to perceive and hear milliseconds of spaciation[sic] and be acute to a differentiation between every single tapped key, no matter how fast the piece. I’ve said before piano is the hardest instrument to reproduce in recording with accuracy.  If that’s muddy then it’s all over.  I won’t get started on the pneumatic breath of the solo cello…you get my drift.
  25. Pop music…It depends on if it’s good! 😉 😉

So with all that said we arrive at the conclusion that we may not agree subjectively.  Please forgive me, as I was being purposefully presumptuous in some of the things I said above… but that is not the point.  I’m just generalizing for the sake of getting at the crux.  Most of the people reading this will not care one way or the other.  Some will be bored to tears as to, “what is the going on and on about”.  In the end we all just love music and are devilishly passionate about it–Pretty simple, no? 🙂

So, in the past I did some reviews….Beck, The Beatles Catalogue, Led Zeppelin Catalog, etc., they each get hundreds of hits daily as reference, awesome.  I also posted full album playlists (with some lineage)…it was quite subtle, again on purpose as to what I have deemed a Reference Quality Audio Recording.  I don’t know if I said it outright, I may have…If not my tongue in cheek went over people’s heads. A failed attempt by me.  Yes, you are left to taking me at my word, have to search for it yourself, and availability is spotty.  I know it’s somewhat authoritarian but let your ears be the judge.  There were many times I have searched for a single particular recording over weeks and months before finally getting a hold of it.  Time well spent!

If you search hard enough you will be able to get a hold of same source as I did, some searches will be easy, others will require patience and time.  Moderately I will recommend the High-Rez digital transfer available for everyone to purchase with a quick download and some cash.  I have no stake in this…no adverts, self funded hosting and servers.  I’m just passionate about music and everything else, and I know you are as well, or you would not be reading this.

Just a note **** again, the night site is under maintenance (The links from here the day page are static as of writing this)…It will be up again soon enough.  I’m going to do all those recordings here on the main page individually anyhow.  So there will probably be some updates as well.  When live, it will give you an idea of some of what I will cover, and it is only a small part of projected works.

From now on instead of taking a few months to do mega reviews, although I will someday do the Complete Pink Floyd Archives Posts (Damn there I go again, that’s one exception), from now on there will be single album releases (From past and present) which a single post can be done in one day.  I will do whatever I am listening to and I have in my wheelhouse as the best recordings and rips / digital to date.  The posts will vary widely in style, genre, and medium.  One day or two could be Thrash, the next Classical, Jazz, Electronic, Pop, wherever the music takes me.

In between I will continue to do my sordid stories, post mixes, photos, memorabilia, any type of art really.  I intend on making this site better by making it a reference site for individual albums.  In that vein It would make it possible for those who do not want to read my silly erotica, still be able to come here intentionally via direct link or search engine in order to just browse my reviews and recommendations on specific albums…quick and easy.

In conclusion, each album will have an easy to read, specific format that I have worked out, and tweak things as I go along.  If there is anything extra about a specific release that you would like to see, send me an email or message.  If I can get the info – I will post it or write you back.  Understand that I cannot council and/or recommend file sharing or piracy, so do not ask…messages from readers as to these types of questions will go unanswered.   No disrespect…just being clear.

 

Thanks For Reading & All Your Endless Support. My Readers Are Awesome!

Love You Lots! Stay Well, Be Kind & Bless.

 

Tak Tak, Bless!

Grazie, Ciao!

Obrigadx, Tchau! Adeus!

Gracias, Adios!

Danke, Tchuss!

Merci, Au revoir!

Dank je…Bedankt, Alstublieft!

Merci Vilmal, Adeau!

Gracies, Adieu!

Gracies, Adeu!

 

CM ☕

Please do not reproduce this article either all or in part without the expressed written permission of the author who can be reached via the “Contact” section in the header menu. You may link to the article if you wish, all that we ask is that you give credit to the respective author…”Christmachine” wherever you post a link. Thank you.

Copyright © 2017 Christmachine. All Rights Reserved.

 

©2014 – 2020 Christmachine ☕

Photographer Doc Keyaza …Doc’s Shots Series Archive #18 [Sample Gallery Mega Post]

Photographer Doc Keyaza …Doc’s Shots Series Archive #18 [Sample Gallery Mega Post]

 

Today Up On Christmachine Audio Reference Music Server :

 

 

1

Photo Courtesy Of Doc Keyaza !

Time for another Doc Keyaza Photo Post! I want to welcome my new followers from Twitter and the interwebs. As I said before we have so much amazing history to show in photos. This post is only another sampling of the 1000′s of amazing and rare photos I have from the Doctor which he has bestowed upon us! If you see a photo you know already, the doctor had his hands involved in it or at least through his friendship with the great Ross Halfin and other of our generations greatest music photographers. It’s going to take me years to post the best and I’m honored to do it here. One day Doc will be known more for his art than his real job, lead rigger for “The Monster”. So here we will publicly post and archive his Art of Photography.

 

2

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You’re welcome to join me on Twitter if you want and I’ll follow you back as well.

https://twitter.com/Christ_Machine

Thanks For Reading and as always for you’re support…Now we can get down to business!

 

ARCHIVES~

http://www.scoop.it/u/christmachineandicelandicgurlagenda

http://christmachine.tumblr.com/

 

 

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You ain’t seen nuthin yet!

Thanks Doc your the bestest.

 

Thanks, as always, for your support.

Cheers and Bless Bless!

CM ☕

 

Please do not reproduce this article either all or in part without the expressed written permission of the author who can be reached via the “Contact” section in the header menu. You may link to the article if you wish, all that we ask is that you give credit to the respective author…”Christmachine” wherever you post a link. Thank you.

 

 

 

Copyright © 2015 Christmachine. All Rights Reserved.

©2014 – 2020 Christmachine ☕

Grateful Dead – Fare The Well – GD50 – Summer Tour 2015 – One last time in Santa Clara and Chicago! tott, travel, nomads, I will keep adding to this post! Peace and Love, Buuuurp!

 

84 Songs Total played & only two songs played twice (“Cumberland Blues”, & “Truckin'”) as of finish, night #5 of 5.

 

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Grateful Dead Setlist at Soldier Field, Chicago, IL, USA

Jul 9,1995

***LAST SHOW W/ 8> JERRY GARCIA <3 (August 1, 1942 – August 9, 1995)***

Jul 9,1995 ~ Last Show Summer Tour 1995

Soldier Field, Chicago, IL, USA

Set 1:

Touch of Grey
Little Red Rooster (Willie Dixon cover)
Lazy River Road
When I Paint My Masterpiece (Bob Dylan cover)
Childhood’s End
Cumberland Blues
The Promised Land (Chuck Berry cover)

Set 2:
Shakedown Street
Samson and Delilah ([traditional] cover)
So Many Roads
Samba in the Rain
Corrina
Drums
Space
Unbroken Chain
Sugar Magnolia

Encore:

Black Muddy River
Box of Rain

Note: The Band (Support). Grateful Dead’s last show with Jerry Garcia.

 

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a5e85d6b

 

Grateful Dead Setlist at Levi’s Stadium, Santa Clara, CA, USA

Jun 27, 2015

Fare Thee Well Summer Tour / Show 1 of 5

Levi’s Stadium, Santa Clara, CA, USA

Set 1:

Truckin’ (Bob Weir lead vocals)
Uncle John’s Band (Phil, Weir, Trey, and Bruce sang together)
Alligator (Phil Lesh lead vocals)
Cumberland Blues (Bob Weir lead vocals)
Born Cross-Eyed (Bob Weir lead vocals)
Cream Puff War (Trey Anastasio lead vocals)
Viola Lee Blues (Cannon’s Jug Stompers cover) (Phil, Bob, Trey, and Bruce shared vocals)

Set 2:

Cryptical Envelopment (Phil Lesh lead vocals)
Dark Star (Phil, Trey, and Bob traded vocals)
St. Stephen (Bob Weir lead vocals) (with William Tell bridge)
The Eleven (Bob and Trey lead vocals)
Turn On Your Love Light (Bobby “Blue” Bland cover) (Bob Weir lead vocals)
Drums (with Mickey Hart on mbira)
What’s Become of the Baby? (Phil Lesh lead vocals)
Space
The Other One (Bob Weir lead vocals)
Morning Dew (Bonnie Dobson cover) (Bob Weir lead vocals)

Encore:

Casey Jones (Bruce Hornsby lead vocals)

Note: Phil Lesh, Bob Weir, Mickey Hart, Bill Kreutzmann, Trey Anastasio, Bruce Hornsby, and Jeff Chimenti. Soundcheck reportedly included “Althea”, “Brown Eyed Women”, “Truckin’”, “Uncle John’s Band”, “Alligator”, “Cumberland Blues”, “Born Cross-Eyed”, “Cream Puff War”, “St. Stephen”, “The Eleven”, and “Turn On Your Love Light.”

 

 

Grateful Dead Setlist at Levi’s Stadium, Santa Clara, CA, USA

Jun 28, 2015

Fare Thee Well Summer Tour / Show 2 of 5

Levi’s Stadium, Santa Clara, CA, USA

Set 1:

Feel Like a Stranger (Bob Weir lead vocal)
Minglewood Blues (Cannon’s Jug Stompers cover) (Bob Weir lead vocal)
Brown-Eyed Women (Bruce Hornsby lead vocal)
Loose Lucy (Bob Weir lead vocal)
Loser (Jerry Garcia song) (Bruce Hornsby lead vocal)
Row Jimmy (Bob Weir lead vocal)
Alabama Getaway (Trey Anastasio lead vocal)
Black Peter (Bob Weir lead vocal)
Hell in a Bucket (Bob Weir lead vocal)

Set 2:

Mississippi Half-Step Uptown Toodeloo (Phil Lesh lead vocal)
Wharf Rat (Bob Weir lead vocal)
Eyes of the World (Phil Lesh lead vocal)
He’s Gone (Bob Weir and Bruce Hornsby traded vocals)
Drums (with Sikiru Adepoju on talking drum)
Space
I Need a Miracle (Bob Weir lead vocal)
Death Don’t Have No Mercy (Reverend Gary Davis cover) (Bob Weir lead vocal)
Sugar Magnolia (Bob Weir lead vocal)

Encore:

Brokedown Palace (Bob Weir lead vocal)

Note: Phil Lesh, Bob Weir, Mickey Hart, Bill Kreutzmann, Trey Anastasio, Bruce Hornsby, and Jeff Chimenti.

 

===========================

 

Poster-Grateful-Dead-Fare-Thee-Well-2015

 

Grateful Dead Setlist at Soldier Field, Chicago, IL, USA

Jul 3, 2015

Fare Thee Well Summer Tour / Show 3 of 5

Soldier Field, Chicago, IL, USA

Set 1:

Box of Rain (lead vocals: Phil Lesh)
Jack Straw (lead vocals: Bob Weir and Phil Lesh)
Bertha (lead vocals: Trey Anastasio)
Passenger (lead vocals: Bob Weir and Bruce Hornsby)
The Wheel (Jerry Garcia song) (Phil, Bob, Trey, and Bruce shared vocals)
Crazy Fingers (lead vocals: Trey Anastasio)
The Music Never Stopped (lead vocals: Bob Weir)

Set 2:

Mason’s Children
Scarlet Begonias (lead vocals: Trey Anastasio)
Fire on the Mountain (lead vocals: Bruce Hornsby)
Drums
Space
New Potato Caboose (lead vocals: Phil Lesh)
Playing in the Band (Bob Weir song) (lead vocals: Bob Weir)
Let It Grow (lead vocals: Bob Weir)
Help on the Way (lead vocals: Trey Anastasio)
Slipknot
Franklin’s Tower (lead vocals: Phil Lesh)

Encore:

Ripple (lead vocals: Bob Weir [Acoustic Guitar])

Note: Phil Lesh, Bob Weir, Mickey Hart, Bill Kreutzmann, Trey Anastasio, Bruce Hornsby, and Jeff Chimenti.

 

 

Grateful Dead Setlist at Soldier Field, Chicago, IL, USA

Jul 4, 2015

Fare Thee Well Summer Tour / Show 4 of 5

Soldier Field, Chicago, IL, USA

Set 1:

Shakedown Street (Bob Weir on lead vocals)
Liberty (Robert Hunter song) (Bob Weir on lead vocals)
Standing on the Moon (Trey Anastasio on lead vocals)
Me and My Uncle (John Phillips cover) (Bob Weir on lead vocals)
Tennessee Jed (Bob Weir, Bruce Hornsby, Trey Anastasio)
Cumberland Blues (Trey Anastasio, Phil Lesh)
Little Red Rooster (Willie Dixon cover) (Bob Weir on lead vocals)
Friend of the Devil (Phil Lesh on lead vocals)
Deal (Jerry Garcia song) (Trey Anastasio & Bruce Hornsby)

(July Fourth Holiday [U.S.] fireworks show @ Navy Pier visible behind stage during intermission)

Set 2:

Bird Song (Jerry Garcia song) (Phil Lesh on lead vocals)
The Golden Road (To Unlimited Devotion) (Trey Anastasio & Bruce Hornsby)
Lost Sailor (Bob Weir on lead vocals)
Saint of Circumstance (Bob Weir on lead vocals)
West L.A. Fadeaway (Bruce Hornsby on lead vocals)
Foolish Heart (Trey Anastasio on lead vocals)
Drums
Space
Stella Blue (Bob Weir on lead vocals)
One More Saturday Night (Bob Weir song) (Bob Weir on lead vocals)

Encore:

U.S. Blues (Bob Weir on lead vocals)

 

 

Grateful Dead Setlist at Soldier Field, Chicago, IL, USA

Jul 5, 2015

Fare Thee Well Summer Tour / ***FINAL SHOW EVER 5 of 5***

Soldier Field, Chicago, IL, USA

Set 1:

China Cat Sunflower (Trey Anastasio & Bruce Hornsby )
I Know You Rider (Tossi Aaron cover) (Trey Anastasio, Phil Lesh)
Estimated Prophet (Bob Weir on lead vocals)
Built to Last (Bruce Hornsby on lead vocals)
Samson and Delilah ([traditional] cover) (Bob Weir on lead vocals)
Mountains of the Moon (Phil Lesh on lead vocals)
Throwing Stones (Bob Weir on lead vocals)

[Massive Soldier Field Fireworks @ end of intermission]

Set 2:

Truckin’ (Bob Weir on lead vocals)
Cassidy (Bob Weir song) (Bob Weir on lead vocals)
Althea (Trey Anastasio on lead vocals)
Terrapin Station (Phil Lesh, Bob Weir share lead vocals)
Drums
Space
Unbroken Chain (Phil Lesh on lead vocals)
Days Between (Bob Weir on lead vocals)
Not Fade Away (The Crickets cover) (Trey Anastasio, Phil Lesh)

Encore1: (Audience Chant “Not Fade Away” coda until band returned for 1st encore)

Touch of Grey (Trey Anastasio, Bruce Hornsby)

Encore 2:

Attics of My Life (Trey Anastasio, Phil Lesh, Bob Weir, Jeff Chimenti)

Note: Band Finishes With Emotional Hugfest and Mickey Hart tells audience to ‘take what we got from the show and go home to family and do something good with it…Just Be Kind To Each Other. Namaste, Amen.

Final Show?…!!! 8]

 

Predictions???…. “Unbroken Chain”, “Masterpiece“, “China Doll“, “Cassidy”,  “Peggy O“, “China > Rider”.

 

===========================
Click On Small Photos to Enlarge!
===========================

 

[UPDATE #1] July 4, 2015

For Those Who Think This Is A Money Grab…Well It Partly Is…After Giving Us All Their Live Sets & Music & Likeness & Art In A Sense, Copyright Free, Like Forever, Like No One Else In The Industry?!?!

I Implore All Heads…Yup I’m Oldskool… Read this Excerpt from the Recently Released David Browne Book @ Salon Magazine / It should put things in perspective, Cheers~

So Many Roads: The Life And Times Of The Grateful Dead – [Fascinating Excerpt];

SATURDAY, JUL 4, 2015 09:29 AM EDT
“I won’t see the end of the year”: Backstage at Jerry Garcia and the Grateful Dead’s final shows.
The Grateful Dead were exhausted in spring ’95, Garcia most of all. Here’s the band’s story of those last days…

http://www.salon.com/2015/07/04/i_wont_see_the_end_of_the_year_backstage_at_jerry_garcia_and_the_grateful_deads_final_shows/

As Ringo Starr always says… “Peace and Love…Peace and Love.”

More To Come In This Post…Photos…Art…etc.

Respect.

 

===========================

 

[UPDATE #2] July 7, 2015

I will be adding a bunch of comemorative photos this week as well as other memorabilia I dig up.  Stay tuned, but here is a great group of photos from the last final shows.  Thanks to @CrowdAlbum!!!

Night 1 July 03, 2015 Soldier Field, Chicago Illinois:

https://www.crowdalbum.com/album/559641296170704f8b000014/The-Grateful-Dead–Fare-Thee-Well-with-Trey-Anastasio–Jeff-Chimenti-and-Bruce-Hornsby–Night-1_20150703

Night 2 July 04, 2015 Soldier Field, Chicago Illinois:

https://www.crowdalbum.com/album/5599527b6170700d8200066a/The-Grateful-Dead–Fare-The-Well-with-Trey-Anastasio–Jeff-Chimenti-and-Bruce-Hornsby–Night-2_20150704

 

Respect! 

 

===========================

 

[UPDATE #3] July 8, 2015

All 5 Final Grateful Dead Shows Available In Glorious Sounding FLAC from Ace Tapers…Massive Quality Sound.

 

Show 1 of 5:

Fare Thee Well: Celebrating 50 Years Of The Grateful Dead
Levi’s Stadium
Santa Clara, CA
June 27, 2015

Source: Schoeps MK4’s>Schoeps CMR’s>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR
Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5)
Location: OTS ~ 10′

https://archive.org/details/GD2015-06-27.FareTheeWell

 

 

 

Show 2 of 5:

Fare Thee Well: Celebrating 50 Years Of The Grateful Dead
Levi’s Stadium
Santa Clara, CA
June 28, 2015

Source: Schoeps MK4’s>Schoeps CMR’s>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR
Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5)
Location: OTS ~ 10′

https://archive.org/details/GD2015-06-28.FareTheeWell

 

 

 

Show 3 of 5:

Grateful Dead
2015-07-03
Soldier Field
Chicago IL

Digital Master Audience Recording
Recorded from Taper’s Section

Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Please support this legendary band:
http://www.dead.net

Recorded by Bill Walker
Produced by nyctaper

http://www.nyctaper.com/2015/07/grateful-dead-july-3-2015-chicago-flacmp3streaming/

 

 

 

Grateful Dead
2015-07-04
Soldier Field
Chicago IL

Digital Master Audience Recording
Recorded from Taper’s Section

Busman BSC2 + AKG 480/CK61 + Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by Bill Walker
Produced by nyctaper

http://www.nyctaper.com/2015/07/grateful-dead-july-4-2015-chicago-flacmp3streaming/

 

 

 

Fare Thee Well: Celebrating 50 Years Of The Grateful Dead
Soldier Field
Chicago, Illinois
7/5/2015

Source: Schoeps CCM4V’S(din)>Lunatec V2>Benchmark AD2K>
Sound Devices 722 (24/48)
FOB/DFC/KFC/ZFC/AARP Approximately 70′ From Stage, 6 1/2′ High
DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16)
ID3 Tagged In Foobar 2000
Recorded By: Z-Man
Seeded By: Z-Man

https://archive.org/details/grateful2015-07-05.flac16

 

Huge Thank You To The Tapers  Who Made These Shows Available To All Of Us…Memories For Life!

Cheers & Respect!

 

===========================

 

[UPDATE #4] July 15, 2015

Great Article & Vidz: (Note: The Vidz belong to their respective copyright holders. None Of Them Belong To Me.)

 

Great Article Just Published:

http://pitchfork.com/thepitch/844-fake-rainbows-hologram-jerrys-and-the-sloppy-legacy-of-the-grateful-deads-final-shows/

Vidz: 

https://www.youtube.com/channel/UCUKAWOVyreRegbpbwVGRluw/videos

 

===========================

 

[UPDATE #5] July 22, 2015

Several New Photos Added – More To Come As I Dig Them Up!

 

===========================

 

[UPDATE #6] August 01, 2015

Just a heads up about the sound quality of all the live videos on Youtube.  I’ve watched hundreds of crowd captured videos on the tube and as might be expected the sound quality is crap in every one of them as the live mix in the stadiums are extremely poor, disjointed, and over echoed (Both Stadiums Poor Acoustics, Get In The Way Of Enjoyment IMHO).  Sometimes you cannot hear the vocals, guitars, bass is overpowering (Muddy and Congested) …and you can hear every mistake the band makes…so bad in fact that fan videos are almost not worth watching unless that’s all you have access to (No Matter How High The Resolution).

Since then I’ve listened to the Torr’s of all five live shows from the Live and On Demand Webstreams…the sound and mixes of the video captures at 256kbps(Audio) and 720p(HD Video) are absolutely STELLAR and balanced as also would be expected.  So until we can get hold of the box set (Which is reportedly only going to have the 3 Chicago Shows in 1080p) available now in limited edition pre-order/ To be released in November…these Torr’s will have to hold us over till then.

I cannot post a link but just search in the Goog…” Grateful Dead Fare Thee Well Kick Ass ” without the quotes and you can access the Shows. The top 2 results are those.  In Total all five shows come to about 30 GB’s (Each contains 4-5 Hours as they were broadcast on the web and P4y P3r Vew)…The first two shows in SC Come Together as one file, and the three Chi-Town Shows come as single separate files (One Per Night).  They are amazing quality…no drop outs that I’ve found so far and worth your time if you should choose to access.  Heads, Keep On Truckin’ On!!!

Peace and enjoy!

 

===========================

 

[UPDATE #7] August 02, 2015

Several New Photos Added – More To Come As I Dig Them Up!

 

===========================

 

[UPDATE #8] TBA

 

===========================

 

 

 

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More Interesting Articles and Reviews to come.

Cheers and Bless!

 

CM

 

 

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